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Anno 1567 Stock Photos and Images

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Anno 1567 Stock Photos and Images

Christien Langedul and three others burn in Antwerp, Anno 1567, Parallel title: Christian Langedul and three others related to Antorff, A nn o 1567, signed: Ian Luyken, copper engraving, 79.), p. 167, Luyken, Jan (inv. et fec.), Jan Luyken: Théâtre des martyrs: depuis la mort de J.Christ jusqu'à present: représenté en très belles tailles-douces = Schau-Bühne der Martyrer; gezeichnet und in Kuppfer gestochen. Leyde: chez Pierre Van der Aa, [1711 Stock Photo
RM2A2TDAK–Christien Langedul and three others burn in Antwerp, Anno 1567, Parallel title: Christian Langedul and three others related to Antorff, A nn o 1567, signed: Ian Luyken, copper engraving, 79.), p. 167, Luyken, Jan (inv. et fec.), Jan Luyken: Théâtre des martyrs: depuis la mort de J.Christ jusqu'à present: représenté en très belles tailles-douces = Schau-Bühne der Martyrer; gezeichnet und in Kuppfer gestochen. Leyde: chez Pierre Van der Aa, [1711
Johannes Hinderikus Egenberger - Anno 1567. De gevangenneming van Egmond Stock Photo
RM2CCY75T–Johannes Hinderikus Egenberger - Anno 1567. De gevangenneming van Egmond
Two faces on monasteries in Leiden: Catharina-Gasthuis Anno 1567 and Elisabethsgasthuis, Cornelis Brouwer, After Unknown, 1783 print Netherlands paper etching abbey, monastery, convent Roman Catholic church To lead. Sint-Catharinagasthuis Stock Photo
RM2WCRFND–Two faces on monasteries in Leiden: Catharina-Gasthuis Anno 1567 and Elisabethsgasthuis, Cornelis Brouwer, After Unknown, 1783 print Netherlands paper etching abbey, monastery, convent Roman Catholic church To lead. Sint-Catharinagasthuis
Christien Langedul and three others burn in Antwerp, Anno 1567, Parallel title: Christian Langedul and three others related to Antorff, A nn o 1567, signed: Ian Luyken, copper engraving, 79.), p. 167, Luyken, Jan (inv. et fec.), Jan Luyken: Théâtre des martyrs: depuis la mort de J.Christ jusqu'à present: représenté en très belles tailles-douces = Schau-Bühne der Martyrer, gezeichnet und in Kuppfer gestochen. Leyde: chez Pierre Van der Aa, [1711], Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography i Stock Photo
RF2B942AG–Christien Langedul and three others burn in Antwerp, Anno 1567, Parallel title: Christian Langedul and three others related to Antorff, A nn o 1567, signed: Ian Luyken, copper engraving, 79.), p. 167, Luyken, Jan (inv. et fec.), Jan Luyken: Théâtre des martyrs: depuis la mort de J.Christ jusqu'à present: représenté en très belles tailles-douces = Schau-Bühne der Martyrer, gezeichnet und in Kuppfer gestochen. Leyde: chez Pierre Van der Aa, [1711], Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography i
N/A. Deutsch: Brockdorf und Sankt Margarethen, Ausschnitt aus der Elbkarte von Melchior Lorichs aus dem Jahr 1568 . 1568. Melchior Lorichs Anno 1568 238 Brockdorf Elbkarte 1567 Stock Photo
RMP5RAWT–N/A. Deutsch: Brockdorf und Sankt Margarethen, Ausschnitt aus der Elbkarte von Melchior Lorichs aus dem Jahr 1568 . 1568. Melchior Lorichs Anno 1568 238 Brockdorf Elbkarte 1567
Two faces on monasteries in Leiden: Catharina-Gasthuis Anno 1567 and Elisabethsgasthuis; The St Catharina Gasthuis, in Leyden; So if it showed Zig Ao 1567; The St Elizabeth's Gasthuis, in Leyden. Stock Photo
RM2G11D9Y–Two faces on monasteries in Leiden: Catharina-Gasthuis Anno 1567 and Elisabethsgasthuis; The St Catharina Gasthuis, in Leyden; So if it showed Zig Ao 1567; The St Elizabeth's Gasthuis, in Leyden.
Kruik (schnelle) van steengoed met cilindervormig, taps toelopend lichaam en C-vormig oor. Profielen onder de rand en boven de voet. Op het lichaam in reliëf driemaal een gedrukt en opgelegd, langwerpig vak met daarin scènes uit het leven van Lazarus. Enkele opschriften op de kruik: linksboven 'LASERVS IN ABREHAMS SCHVSS', in het middelste vak de datum '1567', het rechtervak met 'RICHEN MAN LVCE XV' en 'LASERVS'. Bevestigd aan het oor een tinnen montuur met deksel. De binnenzijde van de deksel met een onleesbaar merk. Siegburg. Manufacturer : pottenbakker: Anno Knütgen (toegeschreven aan ateli Stock Photo
RM2B70RF0–Kruik (schnelle) van steengoed met cilindervormig, taps toelopend lichaam en C-vormig oor. Profielen onder de rand en boven de voet. Op het lichaam in reliëf driemaal een gedrukt en opgelegd, langwerpig vak met daarin scènes uit het leven van Lazarus. Enkele opschriften op de kruik: linksboven 'LASERVS IN ABREHAMS SCHVSS', in het middelste vak de datum '1567', het rechtervak met 'RICHEN MAN LVCE XV' en 'LASERVS'. Bevestigd aan het oor een tinnen montuur met deksel. De binnenzijde van de deksel met een onleesbaar merk. Siegburg. Manufacturer : pottenbakker: Anno Knütgen (toegeschreven aan ateli
. An English garner; ingatherings from our history and literature . on, and four other ships to the parts of Guinea i?i tlie years 1567 and 1568, by yOHN Ha wkjns. He ships departed from Plymouth, the 2ndday of October, anno 1567 ; and had reason-able weather until the 7th day, at whichtime, some 40 leagues north from CapeFinisterre, there arose an extreme storm,which continued four days, in such sortthat the fleet was dispersed, and all our^rtat boats lost, and the Jesus, our chiefship, in such case as not thought able to serve the voyage :whereupon, in the same storm, we set our course homew Stock Photo
RM2CDYANY–. An English garner; ingatherings from our history and literature . on, and four other ships to the parts of Guinea i?i tlie years 1567 and 1568, by yOHN Ha wkjns. He ships departed from Plymouth, the 2ndday of October, anno 1567 ; and had reason-able weather until the 7th day, at whichtime, some 40 leagues north from CapeFinisterre, there arose an extreme storm,which continued four days, in such sortthat the fleet was dispersed, and all our^rtat boats lost, and the Jesus, our chiefship, in such case as not thought able to serve the voyage :whereupon, in the same storm, we set our course homew
Kruik (schnelle) met Jupiter, Venus en Mars Kruik (schnelle) van steengoed met cilindervormig, taps toelopend lichaam en C-vormig oor. Profielen onder de rand en boven de voet en op de wand draairingen. Op de voorzijde van de kruik in reliëf driemaal een rechthoekig, gedrukt en opgelegd vak met in de middelste Venus met het opschrift 'VENVS', geflankeerd door Jupiter (IVPEDER) en Mars (MARS). In de voorstellingen van Venus en Jupiter de datum '1567'. Bevestigd aan het oor een tinnen montuur met deksel. In de deksel een onleesbaar merk. Siegburg. Manufacturer : modelmaker: Anno Knütgen (toegesc Stock Photo
RM2B70REH–Kruik (schnelle) met Jupiter, Venus en Mars Kruik (schnelle) van steengoed met cilindervormig, taps toelopend lichaam en C-vormig oor. Profielen onder de rand en boven de voet en op de wand draairingen. Op de voorzijde van de kruik in reliëf driemaal een rechthoekig, gedrukt en opgelegd vak met in de middelste Venus met het opschrift 'VENVS', geflankeerd door Jupiter (IVPEDER) en Mars (MARS). In de voorstellingen van Venus en Jupiter de datum '1567'. Bevestigd aan het oor een tinnen montuur met deksel. In de deksel een onleesbaar merk. Siegburg. Manufacturer : modelmaker: Anno Knütgen (toegesc
Two views of convents in Leiden: St Catharina's guest house anno 1567 and Elisabeth's guest house The St Catharina's guest house, in Leyden, as it appeared Ao 1567 The St Elizabeth's guest house, in Leyden , print maker: Cornelis Brouwer, (mentioned on object), intermediary draughtsman: unknown, (mentioned on object), Netherlands, 1783, paper, etching, h 307 mm × w 190 mm Stock Photo
RM2JC842A–Two views of convents in Leiden: St Catharina's guest house anno 1567 and Elisabeth's guest house The St Catharina's guest house, in Leyden, as it appeared Ao 1567 The St Elizabeth's guest house, in Leyden , print maker: Cornelis Brouwer, (mentioned on object), intermediary draughtsman: unknown, (mentioned on object), Netherlands, 1783, paper, etching, h 307 mm × w 190 mm
Augustin Taurel - Anno 1567. Alva toont zijn instructies aan Margaretha - Stock Photo
RMPGA1A0–Augustin Taurel - Anno 1567. Alva toont zijn instructies aan Margaretha -
Portrait of Johannes Oporinus, c. 1580-1587, oil on panel, 65.5 x 52.5 cm, unsigned., Labeled top left: ANNO DOMINI 1567 MENSE SEPTEMBRI, ÆTATIS SUÆ PROPE .60 ., in between the printer's signature (medallion with Arion with fiddle, which travels on a dolphin, sea serpent across the sea) with the inscription: ARION., FATA VIAM INVENIVNT., INVIA VIRTVTI NVLLA EST VIA, Hans Bock d. Ä., (?), Zabern/Elsass um 1550/52–1624 Basel, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, em Stock Photo
RF2B92TA4–Portrait of Johannes Oporinus, c. 1580-1587, oil on panel, 65.5 x 52.5 cm, unsigned., Labeled top left: ANNO DOMINI 1567 MENSE SEPTEMBRI, ÆTATIS SUÆ PROPE .60 ., in between the printer's signature (medallion with Arion with fiddle, which travels on a dolphin, sea serpent across the sea) with the inscription: ARION., FATA VIAM INVENIVNT., INVIA VIRTVTI NVLLA EST VIA, Hans Bock d. Ä., (?), Zabern/Elsass um 1550/52–1624 Basel, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, em
N/A. Deutsch: Das in der Elbe versunkene Dorf Bishorst an der Pinnau, Ausschnitt aus der Elbkarte von Melchior Lorichs aus dem Jahr 1568 . 1568. Melchior Lorichs Anno 1568 206 Bishorst Elbkarte 1567 Stock Photo
RMP5P0K4–N/A. Deutsch: Das in der Elbe versunkene Dorf Bishorst an der Pinnau, Ausschnitt aus der Elbkarte von Melchior Lorichs aus dem Jahr 1568 . 1568. Melchior Lorichs Anno 1568 206 Bishorst Elbkarte 1567
Egmond gives his degen to Alva, 1567; Prison of the Count of Egmond, Anno 1567; Scenes from the life of Prince Willem I, 1568-1584. In his arrest, the count of Egmond hands his sword to Alva, September 10, 1567. Second vocals. Stock Photo
RM2G137WC–Egmond gives his degen to Alva, 1567; Prison of the Count of Egmond, Anno 1567; Scenes from the life of Prince Willem I, 1568-1584. In his arrest, the count of Egmond hands his sword to Alva, September 10, 1567. Second vocals.
Tankard (schnelle) with Jupiter, Venus and Mars, Anno Knütgen (attributed to workshop of), c. 1567 - c. 1580 Jug (schnelle) of stoneware with cylindrical, tapered body and C-shaped ear. Profiles under the edge and above the foot and on the wall rings. On the front of the jug in relief three times a rectangular, printed and imposed course with in the middle Venus with the inscription 'Venvs', flanked by Jupiter (IVPeder) and Mars (Mars). In the performances of Venus and Jupiter the date '1567'. Attached to the ear a pewter frame with lid. An unreadable brand in the lid. Siegburg. Siegburg Stone Stock Photo
RM2TDK5AT–Tankard (schnelle) with Jupiter, Venus and Mars, Anno Knütgen (attributed to workshop of), c. 1567 - c. 1580 Jug (schnelle) of stoneware with cylindrical, tapered body and C-shaped ear. Profiles under the edge and above the foot and on the wall rings. On the front of the jug in relief three times a rectangular, printed and imposed course with in the middle Venus with the inscription 'Venvs', flanked by Jupiter (IVPeder) and Mars (Mars). In the performances of Venus and Jupiter the date '1567'. Attached to the ear a pewter frame with lid. An unreadable brand in the lid. Siegburg. Siegburg Stone
. Vite de più eccellenti pittori scultori ed architetti. BE«. Tom. VI. e 40J DESCRIZIONEDELL5 OPERE TICCI BOLOGNESE ABATE Dì SAN MARTINOPITTORE E ARCHITETTO, AVendo infra qui trattato de noftri artefici, chonon fono più vivi fra noi ; cioè di quelli, &efo-n£jjgc£«no flati dal mille dugento infino a quefto anno 1567. e * * dove nell ultimo luogo Michelagnolo Bonarroti per mol-ti rifpetti : febbene due o tre fono mancati dopo lui;ho penfato, che non poflfa elfere fé non opera lodevo-le far parimente menzione in quefta noftra Opera dimolti nobili artefici, che fono vivi, e per gli loro me-riti d Stock Photo
RM2CF0GJR–. Vite de più eccellenti pittori scultori ed architetti. BE«. Tom. VI. e 40J DESCRIZIONEDELL5 OPERE TICCI BOLOGNESE ABATE Dì SAN MARTINOPITTORE E ARCHITETTO, AVendo infra qui trattato de noftri artefici, chonon fono più vivi fra noi ; cioè di quelli, &efo-n£jjgc£«no flati dal mille dugento infino a quefto anno 1567. e * * dove nell ultimo luogo Michelagnolo Bonarroti per mol-ti rifpetti : febbene due o tre fono mancati dopo lui;ho penfato, che non poflfa elfere fé non opera lodevo-le far parimente menzione in quefta noftra Opera dimolti nobili artefici, che fono vivi, e per gli loro me-riti d
Portrait of Johannes Oporinus, c. 1580-1587, oil on panel, 65.5 x 52.5 cm, unsigned., Labeled top left: ANNO DOMINI 1567 MENSE SEPTEMBRI, ÆTATIS SUÆ PROPE .60 ., in between the printer's signature (medallion with Arion with fiddle, which travels on a dolphin, sea serpent across the sea) with the inscription: ARION., FATA VIAM INVENIVNT., INVIA VIRTVTI NVLLA EST VIA, Hans Bock d. Ä., (?), Zabern/Elsass um 1550/52–1624 Basel Stock Photo
RM2A2NXF6–Portrait of Johannes Oporinus, c. 1580-1587, oil on panel, 65.5 x 52.5 cm, unsigned., Labeled top left: ANNO DOMINI 1567 MENSE SEPTEMBRI, ÆTATIS SUÆ PROPE .60 ., in between the printer's signature (medallion with Arion with fiddle, which travels on a dolphin, sea serpent across the sea) with the inscription: ARION., FATA VIAM INVENIVNT., INVIA VIRTVTI NVLLA EST VIA, Hans Bock d. Ä., (?), Zabern/Elsass um 1550/52–1624 Basel
Portrait of Joannes Beverus, writing at his worktable. Obiit Louanii anno 1563 6° nouembris Ætatis uero fuæ 48 A. Zeelstius faciebat. 1567. M: IOES A BEVERIS PHILO: PROFESSOR CELEBERRI. LOVANII TRIBVS ET VIGINTI CIRCITER ANNIS IN PORCO LOGICEN ET PHYSICEN DOCVI SORDES ABSTERSI SOPHIÆ, NVGASQVE REMOVI SINCERO STVDII VIVO LABORE MEI. Literature reference: Ex officina, 8, 1991 Stock Photo
RM2T8EE8W–Portrait of Joannes Beverus, writing at his worktable. Obiit Louanii anno 1563 6° nouembris Ætatis uero fuæ 48 A. Zeelstius faciebat. 1567. M: IOES A BEVERIS PHILO: PROFESSOR CELEBERRI. LOVANII TRIBVS ET VIGINTI CIRCITER ANNIS IN PORCO LOGICEN ET PHYSICEN DOCVI SORDES ABSTERSI SOPHIÆ, NVGASQVE REMOVI SINCERO STVDII VIVO LABORE MEI. Literature reference: Ex officina, 8, 1991
Tankard (schnelle) with Jupiter, Venus and Mars, Jug (schnelle) of stoneware with cylindrical, tapered body and C-shaped ear. Profiles under the edge and above the foot and on the wall turning rings. On the front of the jar in relief three times a rectangular, printed and imposed box with in the middle Venus with the inscription 'VENVS', flanked by Jupiter (IVPEDER) and Mars (MARS). In the representations of Venus and Jupiter the date '1567'. Attached to the ear a pewter frame with lid. An unreadable mark in the lid. Siegburg., Anno Knütgen (attributed to workshop of), Siegburg, c. 1567 - c. 1 Stock Photo
RF2B9ATKH–Tankard (schnelle) with Jupiter, Venus and Mars, Jug (schnelle) of stoneware with cylindrical, tapered body and C-shaped ear. Profiles under the edge and above the foot and on the wall turning rings. On the front of the jar in relief three times a rectangular, printed and imposed box with in the middle Venus with the inscription 'VENVS', flanked by Jupiter (IVPEDER) and Mars (MARS). In the representations of Venus and Jupiter the date '1567'. Attached to the ear a pewter frame with lid. An unreadable mark in the lid. Siegburg., Anno Knütgen (attributed to workshop of), Siegburg, c. 1567 - c. 1
. Latina: Nova absolutaque Russiae, Moscoviae, et Tartariae, descriptio Authore Antonio Jenkinsono Anglo, Clemente Adamo edita, et a Nicolao Reinoldo Londinensi, ari insculpta. Anno salutis, 1562. Scale 1: 5 000 000; Dimensionem 101.7 × 81.7 cm. Русский: Новая усовершенствованная (карта) Руссии, Московии и Тартарии. Описание автора Антонио Дженкинсоно Англо. Издание Клемента Адамо и Николао Рейнальдо Лондиненси. Гравированная в 1562–ом году. Масштаб 1: 5 000 000; Размеры: 101.7 × 81.7 см. 1562 or 1567. Anthony Jenkinson (Contributor: Nicholas Reynolds; Publisher: Clement Adams) 934 Nova Absolu Stock Photo
RMMPBHYW–. Latina: Nova absolutaque Russiae, Moscoviae, et Tartariae, descriptio Authore Antonio Jenkinsono Anglo, Clemente Adamo edita, et a Nicolao Reinoldo Londinensi, ari insculpta. Anno salutis, 1562. Scale 1: 5 000 000; Dimensionem 101.7 × 81.7 cm. Русский: Новая усовершенствованная (карта) Руссии, Московии и Тартарии. Описание автора Антонио Дженкинсоно Англо. Издание Клемента Адамо и Николао Рейнальдо Лондиненси. Гравированная в 1562–ом году. Масштаб 1: 5 000 000; Размеры: 101.7 × 81.7 см. 1562 or 1567. Anthony Jenkinson (Contributor: Nicholas Reynolds; Publisher: Clement Adams) 934 Nova Absolu
Tankard (schnelle) with Jupiter, Venus and Mars, Jug (schnelle) of stoneware with cylindrical, tapered body and C-shaped ear. Profiles under the edge and above the foot and on the wall turning rings. On the front of the jar in relief three times a rectangular, printed and imposed box with in the middle Venus with the inscription 'VENVS', flanked by Jupiter (IVPEDER) and Mars (MARS). In the representations of Venus and Jupiter the date '1567'. Attached to the ear a pewter frame with lid. An unreadable mark in the lid. Siegburg., Anno Knütgen (attributed to workshop of), Siegburg, c. 1567 - c Stock Photo
RMW56G4H–Tankard (schnelle) with Jupiter, Venus and Mars, Jug (schnelle) of stoneware with cylindrical, tapered body and C-shaped ear. Profiles under the edge and above the foot and on the wall turning rings. On the front of the jar in relief three times a rectangular, printed and imposed box with in the middle Venus with the inscription 'VENVS', flanked by Jupiter (IVPEDER) and Mars (MARS). In the representations of Venus and Jupiter the date '1567'. Attached to the ear a pewter frame with lid. An unreadable mark in the lid. Siegburg., Anno Knütgen (attributed to workshop of), Siegburg, c. 1567 - c
Tankard (schnelle) with scenes from the life of Lazarus, Anno Knütgen (attributed to workshop of), c. 1567 - c. 1590 Jug (schnelle) of stoneware with cylindrical, tapered body and C-shaped ear. Profiles under the edge and above the foot. On the body in relief three times a printed and imposed, elongated box containing scenes from Lazarus' life. Some inscriptions on the jug: in the top left 'Laservs in Abrehams Schvss', in the middle box the date '1567', the right -hand box with 'Richen Man LVCE XV' and 'Laservs'. Attached to the ear a pewter frame with lid. The inside of the lid with an unread Stock Photo
RM2TDHMPF–Tankard (schnelle) with scenes from the life of Lazarus, Anno Knütgen (attributed to workshop of), c. 1567 - c. 1590 Jug (schnelle) of stoneware with cylindrical, tapered body and C-shaped ear. Profiles under the edge and above the foot. On the body in relief three times a printed and imposed, elongated box containing scenes from Lazarus' life. Some inscriptions on the jug: in the top left 'Laservs in Abrehams Schvss', in the middle box the date '1567', the right -hand box with 'Richen Man LVCE XV' and 'Laservs'. Attached to the ear a pewter frame with lid. The inside of the lid with an unread
A treatise on wood engravings : historical and practical . gation. Compiled by William Cuningham, Doctor in Physicke. Excussum Londini in officina Joan. Daii, Anno 1559. In this Glasse, if you will beholde The starry skie and yearth so wide,The seas also, with the windes so colde. Yea, and thy selfe aU these to guide :What this Type mean first learne a right, So shall the gayne thy travaill quight. The Type^^ mentioned in these verses relates to the various allegorical and other figm-esin the engraved title-page. 426 FURTHEE PEOGKESS AND DECLINE OF by him in 1567, says that the Saxon character Stock Photo
RM2AXE8PW–A treatise on wood engravings : historical and practical . gation. Compiled by William Cuningham, Doctor in Physicke. Excussum Londini in officina Joan. Daii, Anno 1559. In this Glasse, if you will beholde The starry skie and yearth so wide,The seas also, with the windes so colde. Yea, and thy selfe aU these to guide :What this Type mean first learne a right, So shall the gayne thy travaill quight. The Type^^ mentioned in these verses relates to the various allegorical and other figm-esin the engraved title-page. 426 FURTHEE PEOGKESS AND DECLINE OF by him in 1567, says that the Saxon character
Tankard (schnelle) with scenes from the life of Lazarus, Jug (schnelle) of stoneware with cylindrical, tapered body and C-shaped ear. Profiles below the edge and above the foot. On the body in relief three times a printed and imposed elongated box containing scenes from the life of Lazarus. Some inscriptions on the jar: top left 'LASERVS IN ABREHAMS SCHVSS', in the middle box the date '1567', the right box with 'RICHEN MAN LVCE XV' and 'LASERVS'. Attached to the ear a pewter frame with lid. The inside of the lid with an unreadable mark. Siegburg., Anno Knütgen (attributed to workshop of), Sie Stock Photo
RF2B9AJDM–Tankard (schnelle) with scenes from the life of Lazarus, Jug (schnelle) of stoneware with cylindrical, tapered body and C-shaped ear. Profiles below the edge and above the foot. On the body in relief three times a printed and imposed elongated box containing scenes from the life of Lazarus. Some inscriptions on the jar: top left 'LASERVS IN ABREHAMS SCHVSS', in the middle box the date '1567', the right box with 'RICHEN MAN LVCE XV' and 'LASERVS'. Attached to the ear a pewter frame with lid. The inside of the lid with an unreadable mark. Siegburg., Anno Knütgen (attributed to workshop of), Sie
Tankard (schnelle) with scenes from the life of Lazarus, Jug (schnelle) of stoneware with cylindrical, tapered body and C-shaped ear. Profiles below the edge and above the foot. On the body in relief three times a printed and imposed elongated box containing scenes from the life of Lazarus. Some inscriptions on the jar: top left 'LASERVS IN ABREHAMS SCHVSS', in the middle box the date '1567', the right box with 'RICHEN MAN LVCE XV' and 'LASERVS'. Attached to the ear a pewter frame with lid. The inside of the lid with an unreadable mark. Siegburg., Anno Knütgen (attributed to workshop Stock Photo
RMW568HF–Tankard (schnelle) with scenes from the life of Lazarus, Jug (schnelle) of stoneware with cylindrical, tapered body and C-shaped ear. Profiles below the edge and above the foot. On the body in relief three times a printed and imposed elongated box containing scenes from the life of Lazarus. Some inscriptions on the jar: top left 'LASERVS IN ABREHAMS SCHVSS', in the middle box the date '1567', the right box with 'RICHEN MAN LVCE XV' and 'LASERVS'. Attached to the ear a pewter frame with lid. The inside of the lid with an unreadable mark. Siegburg., Anno Knütgen (attributed to workshop
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