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Publio terencio Stock Photos and Images
RMPP5FJC–MINIATURA DEL MANUSCRITO REALIZADO EN EL SIGLO IX DE LA COMEDIA DE TERENCIO 'ANDRIA' REPRESENTADA EN EL AÑO 166 AC. Author: TERENCIO, PUBLIO. Location: BIBLIOTECA APOSTOLICA-COLECCION. VATICANO.
![The Westminster Play - scene from Terence's "Eunuchus", act 1, scene 1, 1854. Stage production at Westminster School, a public school in London. '...representation of one of Terence's plays by the Queen's College...Phaedria reproaches Thais; Parmeno sneers at his want of firmness...The attack upon the courtesan's house by Thraso and his strange band is a good piece of burlesque "fun"...Parmeno, with his strong woman-hating propensities, stands out in strong relief from the ordinary accommodating slaves of the Davus and Syrus breed...The appearance of a Queen's Scholar in fe Stock Photo](https://c8.alamy.com/comp/2K041EB/the-westminster-play-scene-from-terences-quoteunuchusquot-act-1-scene-1-1854-stage-production-at-westminster-school-a-public-school-in-london-representation-of-one-of-terences-plays-by-the-queens-collegephaedria-reproaches-thais-parmeno-sneers-at-his-want-of-firmnessthe-attack-upon-the-courtesans-house-by-thraso-and-his-strange-band-is-a-good-piece-of-burlesque-quotfunquotparmeno-with-his-strong-woman-hating-propensities-stands-out-in-strong-relief-from-the-ordinary-accommodating-slaves-of-the-davus-and-syrus-breedthe-appearance-of-a-queens-scholar-in-fe-2K041EB.jpg "The Westminster Play - scene from Terence's "Eunuchus", act 1, scene 1, 1854. Stage production at Westminster School, a public school in London. '...representation of one of Terence's plays by the Queen's College...Phaedria reproaches Thais; Parmeno sneers at his want of firmness...The attack upon the courtesan's house by Thraso and his strange band is a good piece of burlesque "fun"...Parmeno, with his strong woman-hating propensities, stands out in strong relief from the ordinary accommodating slaves of the Davus and Syrus breed...The appearance of a Queen's Scholar in fe Stock Photo")
RM2K041EB–The Westminster Play - scene from Terence's "Eunuchus", act 1, scene 1, 1854. Stage production at Westminster School, a public school in London. '...representation of one of Terence's plays by the Queen's College...Phaedria reproaches Thais; Parmeno sneers at his want of firmness...The attack upon the courtesan's house by Thraso and his strange band is a good piece of burlesque "fun"...Parmeno, with his strong woman-hating propensities, stands out in strong relief from the ordinary accommodating slaves of the Davus and Syrus breed...The appearance of a Queen's Scholar in fe
![Westminster Play - Scene from the "Andria" of Terence, 1850. '...performance of a Latin Play at Christmas by the scholars of Westminster [School]...a most spirited and successful enactment. Mr. Blagden (the captain of the school), as Davus, acted with a subtlety and energy which satisfactorily attested his correct appreciation of the salient points in the character of the slave, with whom deceit is second nature, and whose natural fertility of invention has been made inexhaustible by oppression: the performance was marked by great propriety of declamation, and a considerable infusion Stock Photo](https://c8.alamy.com/comp/2HT65DF/westminster-play-scene-from-the-quotandriaquot-of-terence-1850-performance-of-a-latin-play-at-christmas-by-the-scholars-of-westminster-school-a-most-spirited-and-successful-enactment-mr-blagden-the-captain-of-the-school-as-davus-acted-with-a-subtlety-and-energy-which-satisfactorily-attested-his-correct-appreciation-of-the-salient-points-in-the-character-of-the-slave-with-whom-deceit-is-second-nature-and-whose-natural-fertility-of-invention-has-been-made-inexhaustible-by-oppression-the-performance-was-marked-by-great-propriety-of-declamation-and-a-considerable-infusion-2HT65DF.jpg "Westminster Play - Scene from the "Andria" of Terence, 1850. '...performance of a Latin Play at Christmas by the scholars of Westminster [School]...a most spirited and successful enactment. Mr. Blagden (the captain of the school), as Davus, acted with a subtlety and energy which satisfactorily attested his correct appreciation of the salient points in the character of the slave, with whom deceit is second nature, and whose natural fertility of invention has been made inexhaustible by oppression: the performance was marked by great propriety of declamation, and a considerable infusion Stock Photo")
RM2HT65DF–Westminster Play - Scene from the "Andria" of Terence, 1850. '...performance of a Latin Play at Christmas by the scholars of Westminster [School]...a most spirited and successful enactment. Mr. Blagden (the captain of the school), as Davus, acted with a subtlety and energy which satisfactorily attested his correct appreciation of the salient points in the character of the slave, with whom deceit is second nature, and whose natural fertility of invention has been made inexhaustible by oppression: the performance was marked by great propriety of declamation, and a considerable infusion
RMPPB2KE–Terence (195-159 BC). Latin comic writer. Title cover of his comedies. Codex of the Vatican Library. 1736.
![Westminster School - scene from "The Andria" of Terence, 1845. Public school production of an ancient Roman comedy, Act IV, Scene 11: 'Of the costume...we must speak in the highest terms. All was Greek, and correct. The young Pamphilus wore his chlamys with the grace of an Antinous; while old Simo draped his pallium decorously and classically. The acting was hardly up to the average. We may except the Davus of Mr. Milman, which was roguish and significant enough...the enunciation was as distinct, the parts as perfectly committed to memory as ever...The Epilogue, with its allusions to Stock Photo](https://c8.alamy.com/comp/2E2JC14/westminster-school-scene-from-quotthe-andriaquot-of-terence-1845-public-school-production-of-an-ancient-roman-comedy-act-iv-scene-11-of-the-costumewe-must-speak-in-the-highest-terms-all-was-greek-and-correct-the-young-pamphilus-wore-his-chlamys-with-the-grace-of-an-antinous-while-old-simo-draped-his-pallium-decorously-and-classically-the-acting-was-hardly-up-to-the-average-we-may-except-the-davus-of-mr-milman-which-was-roguish-and-significant-enoughthe-enunciation-was-as-distinct-the-parts-as-perfectly-committed-to-memory-as-everthe-epilogue-with-its-allusions-to-2E2JC14.jpg "Westminster School - scene from "The Andria" of Terence, 1845. Public school production of an ancient Roman comedy, Act IV, Scene 11: 'Of the costume...we must speak in the highest terms. All was Greek, and correct. The young Pamphilus wore his chlamys with the grace of an Antinous; while old Simo draped his pallium decorously and classically. The acting was hardly up to the average. We may except the Davus of Mr. Milman, which was roguish and significant enough...the enunciation was as distinct, the parts as perfectly committed to memory as ever...The Epilogue, with its allusions to Stock Photo")
RM2E2JC14–Westminster School - scene from "The Andria" of Terence, 1845. Public school production of an ancient Roman comedy, Act IV, Scene 11: 'Of the costume...we must speak in the highest terms. All was Greek, and correct. The young Pamphilus wore his chlamys with the grace of an Antinous; while old Simo draped his pallium decorously and classically. The acting was hardly up to the average. We may except the Davus of Mr. Milman, which was roguish and significant enough...the enunciation was as distinct, the parts as perfectly committed to memory as ever...The Epilogue, with its allusions to
RMPNX54X–Terence (195-159 BC). Latin comic writer. Title cover of his comedies. Compiled by Elio Donato (4th century). 1518 edition.
RMPNWE2K–Terence (195-159 BC). Latin comic writer. Title cover of his Comedies. Incunabula. Paris. 1505. University of Barcelona Library. Spain.
RM2P1D2M6–The Midwife Taking Leave of the girl from Andros. From Terence´s Andria;The midwife leaving the house of the girl from Andros while the slave Davus fails to convince Pamphilus' father that Pamphilus is the newborn baby's father. Scene from Terence's The Andria, 1801.
RM2P1D20M–Simo and his former slave Sosia. From Terence´s Andria.;Simo tells Sosia, his former slave, about his worries because of his son's relationship to the girl from Andros. Scene from Terence's The Andria, 1803.
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