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´retable Stock Photos and Images
RMMAMX2X–. Fran+?ais-?: Dos du retable des clarisses Deutsch: neugotische R++ckseite des Klaren-Altars. K++nstler: Wilhelm Mengelberg 1905. G+?ttliche Dreifaltigkeit, die von Seraphim und Symbolen der Welt umgeben ist. Zwickel mit den vier Evangelisten. . 1905. Ma+
RF2WWJGWC–Sé Cathédrale de Faro De sa construction originelle du XIIIe / XIVe siècle, l’Église de Sainte Marie, élevée au rang de Cathédrale au XVIe siècle, con
RMP3XA04–REJA DEL PRESBITERIO - 1497 - RETABLO MAYOR DEL SIGLO XIX OBRA DE MARIANO PESCADOR. Author: Antón de Viveros (16th cent.). Location: CATEDRAL-INTERIOR, SPAIN.
RM2WGRN09–Bank and a Retabel, 1819 - 1849 Page 16 Recto from a sketchbook with 58 sheets. paper. pencil altar with dossel (dorsal), 'reredos', altar-screen, retable
RMMNTT5J–English: St. Matthias (or St. James) and St. Hedwige (or St. Elisabeth or St. Clare). Altar retable (triptych) from Trzebunia. Polski: Św. Maciej (lub św. Jakub) i św. Jadwiga (albo św. Elżbieta lub św. Klara). Tryptyk (ołtarz) z Trzebuni. circa 1420. 1054 Retable from Trzebunia
RF2WWJFR9–Sé Cathédrale de Faro De sa construction originelle du XIIIe / XIVe siècle, l’Église de Sainte Marie, élevée au rang de Cathédrale au XVIe siècle, con
RMP4N030–EL TRANSPARENTE DE LA CATEDRAL DE TOLEDO - 1721-1732 - BARROCO ESPAÑOL. Author: Narciso Tomé (c. 1690-1742). Location: CATEDRAL-INTERIOR, SPAIN.
RM2WC01AR–Retable in a chapel in the Exeter cathedral, Francis Bedford, c. 1850 - c. 1880 stereograph Cathedral of Exeter cardboard. photographic support albumen print interior of church Cathedral of Exeter
RMMWH17H–. The mass of St. Giles (La Messe de saint Gilles) Français : peinture du Maitre de Saint Gilles montrant le roi, l'abbé, le retable et la croix de Suger ainsi que l'église en l'abbaye de St-Denis à Paris. . с.1500. Master of Saint Giles 405 Massgiles
RF2WWJG8F–Sé Cathédrale de Faro De sa construction originelle du XIIIe / XIVe siècle, l’Église de Sainte Marie, élevée au rang de Cathédrale au XVIe siècle, con
RMPP4WNR–INMACULADA - DETALLE DEL RETABLO DE LA ANTIGUA O RETABLO MAYOR DE LA CATEDRAL DE VALLADOLID - SIGLO XVI. Author: JUNI, JUAN DE. Location: CATEDRAL. Valladolid. SPAIN.
RM2TE1E1B–Retabel foot with Maria with child between Hieronymus and Nicolaas from Myra, c. 1900 Added pedestal for retable. Italy wood (plant material) Added pedestal for retable. Italy wood (plant material)
RMP5KK51–Français : Déploration sur le Christ mort (faisait partie d'un retable qui devait être placé dans la chapelle d'Eleonore de Tolède au Palazzo Vecchio, à Florence) Deutsch: Altar der Kapelle der Eleonora da Toledo, Szene: Kreuzabnahme 1542-1545. N/A 101 Angelo Bronzino 004
RF2WWJJEH–Sé Cathédrale de Faro De sa construction originelle du XIIIe / XIVe siècle, l’Église de Sainte Marie, élevée au rang de Cathédrale au XVIe siècle, con
RMPNTK34–DETALLE DEL RETABLO MAYOR - SIGLO XVI - RENACIMIENTO ESPAÑOL. Author: BERRUGUETE, ALONSO. Location: COLEGIO DE LOS IRLANDESES O COLEGIO FONSECA. SALAMANCA. SPAIN.
RM2JMW5FD–Unknown architect, altar and retable (without date): front view. Pencil heighted gold on paper, 27.9 x 36.4 cm (including scan edges) N.N. : Altar und Retabel
RMMXCN6T–. The mass of St. Giles (La Messe de saint Gilles) Français : peinture du Maitre de Saint Gilles montrant le roi, l'abbé, le retable et la croix de Suger ainsi que l'église en l'abbaye de St-Denis à Paris. . с.1500. Master of Saint Giles 405 Massgiles
RF2WWJEMR–Sé Cathédrale de Faro De sa construction originelle du XIIIe / XIVe siècle, l’Église de Sainte Marie, élevée au rang de Cathédrale au XVIe siècle, con
RMPNTK88–LA PIEDAD - DETALLE DEL RETABLO MAYOR REALIZADO POR ALONSO BERRUGUETE - SIGLO XVI - RENACIMIENTO ESPAÑOL. Author: BERRUGUETE, ALONSO. Location: COLEGIO DE LOS IRLANDESES O COLEGIO FONSECA. SALAMANCA. SPAIN.
RM2JMMP25–Hehl Christoph (1847-1911), Herz-Jesu-Kirche Berlin-Prenzlauer Berg (1897): High altrar retable in the side part. Material/technology N.N. recorded, 144.2 x 79.4 cm (including scan edges)
RMMMTP1B–. Français : retable Noli me tangere Timoteo Viti (1469–1523) Description Italian painter Date of birth/death 1469 1523 Location of birth/death Urbino Urbino Authority control : Q1709100 VIAF:?13466182 ISNI:?0000 0000 6634 1722 ULAN:?500008319 LCCN:?n91009699 WGA:?VITI, Timoteo WorldCat Cagli - Timoteo Viti - Noli me tangere
RF2WWJHC9–Sé Cathédrale de Faro De sa construction originelle du XIIIe / XIVe siècle, l’Église de Sainte Marie, élevée au rang de Cathédrale au XVIe siècle, con
RMPNMH1B–RETABLO MAYOR - SIGLO XVI - GOTICO FLAMENCO. Location: IGLESIA DE SANTA MARIA DE LA ASUNCION. LEQUEITIO / LEKEITIO. Biscay. SPAIN.
RM2WC04G6–Retabel of the cathedral of Ely, William Russell Sedgfield, c. 1850 - c. 1880 stereograph Cathedral of Ely cardboard. photographic support albumen print altar with dossel (dorsal), 'reredos', altar-screen, retable. parts of church interior: choir Cathedral of Ely
RMP5WT92–N/A. Circoncision sur le retable des Douze Apôtres de Friedrich Herlin de Nördlingen, 1466.Rothenburg ob der Tauber. English: Circumcision of Christ, detail from Twelve Apostles Altar (Zwölf-Boten-Altar). Painting by Friedrich Herlin of Nördlingen, 1466. Rothenburg ob der Tauber. 1466. N/A 349 CirconcisionRothenburg
RF2WWJFRR–Sé Cathédrale de Faro De sa construction originelle du XIIIe / XIVe siècle, l’Église de Sainte Marie, élevée au rang de Cathédrale au XVIe siècle, con
RM2W9A1W2–Retable in a church (presumably) in Spain, c. 1875 - c. 1900 photograph Spain cardboard. photographic support albumen print altar with dossel (dorsal), 'reredos', altar-screen, retable. interior of church. sculpture (+ relief sculpture) Spain
RMMNT3MP–. Retable of St. John the Baptist . between 1470 and 1480. Pedro García de Benavarre (–1482) Alternative names Pere Garcia de Benavarri, Pere Garcia de Benavarre Description - painter Date of birth/death 1482 Location of birth/death Benabarre Barbastro Work period between 1445 and 1485 Work location Zaragoza, Benabarre, Barcelona, Lleida, Barbastro Authority control : Q3374052 VIAF: 295762222 ULAN: 500028405 SUDOC: 168840103 970 Pedro Garcia de Benabarre St John Retable
RF2WWJJBH–Sé Cathédrale de Faro De sa construction originelle du XIIIe / XIVe siècle, l’Église de Sainte Marie, élevée au rang de Cathédrale au XVIe siècle, con
RMP2XPBG–CAPILLA DEL SANTO CALIZ - RETABLO GOTICO FLAMIGERO CON ALTORRELIEVES DE ALABASTRO DE GIULIANO POGGIBONSI - SIGLO XV. Author: DALMAU ANTONIO / FLORENTI JULIA. Location: CATEDRAL-INTERIOR, VALENCIA, SPAIN.
RM2WC0J44–Choir, Byzantine Cross, main altar and retable of the Basilica of San Marco in Venice, Carlo Ponti, 1860 - 1881 photograph Part of Topographic Album of Venice 1881. Venice photographic support albumen print parts of church interior Basilica of San Marco
RMMMKWPH–. English: Altarpiece from the Carthusian monastery of Saint-Honoré, Thuison-les-Abbeville, France, depicting Saint Hugh of Lincoln with his swan Français : Retable provenant de la chartreuse de Saint-Honoré, à Thuison-les-Abbeville, France, représentant saint Hugues d'Avalon (ou de Lincoln) accompagné de son cygne English: Saint Hugh of Lincoln Español: San Hugo de Lincoln Français : Saint Hugues de Lincoln ou d'Avalon . between circa 1490 and circa 1500. Hug-lin-pi
RF2WWJEYF–Sé Cathédrale de Faro De sa construction originelle du XIIIe / XIVe siècle, l’Église de Sainte Marie, élevée au rang de Cathédrale au XVIe siècle, con
RMPNMJ8R–RETABLO MAYOR-DET ANUNCIACION-S XVI-RENACIMIENTO. Location: IGLESIA DE SAN MARCOS. JEREZ DE LA FRONTERA. Cadiz. SPAIN.
RM2WC19CE–Retabel of the main altar in the royal chapel of the cathedral of Granada, Camino, After Felipe de Bigarny, 1851 - c. 1890 photograph This photo is part of an album. Granada paper albumen print altar with dossel (dorsal), 'reredos', altar-screen, retable Cathedral of Granada
RMMNXEB7–Confesión del judío Judas . Español: La obra muestra a un judío de Jerusalén llamado Judas, que según la Leyenda Dorada tenía conocimiento de dónde se hallaba la Vera-Cruz, siendo interrogado por Santa Helena de Constantinopla. English: Medieval Spanish painting shows inter alia a Jew few years before expulsion from Spain, originally a retable of the Saint Cross of Blesa . between circa 1483 and circa 1487. 1139 St.-HelenaInterrgogatingJudas
RF2WWJDT7–Sé Cathédrale de Faro De sa construction originelle du XIIIe / XIVe siècle, l’Église de Sainte Marie, élevée au rang de Cathédrale au XVIe siècle, con
RMPNMAP3–RETABLO MAYOR REALIZADO EN ALABASTRO - SIGLO XVI - RENACIMIENTO ESPAÑOL. Author: FORMENT DAMIAN. Location: MONASTERIO DE POBLET. Vimbodí. TARRAGONA. SPAIN.
RM2TDNCXE–Fragment, added to the retable group in the 19th century with the meeting of the three kings of Adriaen van Wesel and removed during restoration in 1978., Anonymous, c. 1800 - c. 1900 Netherlands oak (wood) cutting the Bosch Netherlands oak (wood) cutting the Bosch
RMMNY4X8–. English: The figure of Salome from Retable of St. John the Baptist , cut out from the rest of the image to highlight her early hoop-skirt or 'verdugada,' a precursor of the farthingale and the crinoline. between 1470 and 1480. Pedro García de Benavarre (–1482) Alternative names Pere Garcia de Benavarri, Pere Garcia de Benavarre Description - painter Date of birth/death 1482 Location of birth/death Benabarre Barbastro Work period between 1445 and 1485 Work location Zaragoza, Benabarre, Barcelona, Lleida, Barbastro Authority control : Q3374052 VIAF: 295762222 ULAN: 500028405 SUDO
RF2WWJH2W–Sé Cathédrale de Faro De sa construction originelle du XIIIe / XIVe siècle, l’Église de Sainte Marie, élevée au rang de Cathédrale au XVIe siècle, con
RMPNMAYG–RETABLO MAYOR REALIZADO EN ALABASTRO - SIGLO XVI - RENACIMIENTO ESPAÑOL. Author: FORMENT DAMIAN. Location: MONASTERIO DE POBLET. Vimbodí. TARRAGONA. SPAIN.
RM2WA6X5P–Retabel te Westminster Abbey, John Harrington, c. 1864 - in or before 1869 photograph photographic support albumen print abbey, monastery, convent Roman Catholic church. interior of church. altar with dossel (dorsal), 'reredos', altar-screen, retable Westminster Abbey
RMMMYYNM–. English: This head, along with its companion piece Head of a Female Saint, was already in this format in the 16th century in the Amerbach collection, but the pair were certainly cut from one or more larger panels of a retable or altarpiece. In 1586, Basilius Amerbach noted these pieces as 'H. Holbein's first work', though doubts have occasionally been raised about the attribution. References Müller, Christian; Stephan Kemperdick; Maryan Ainsworth; et al, Hans Holbein the Younger: The Basel Years, 1515–1532, Munich: Prestel, 2006, ISBN 9783791335803, p. 136. Rowlands, John, Holbein: The Pain
RF2WWJDMM–Sé Cathédrale de Faro De sa construction originelle du XIIIe / XIVe siècle, l’Église de Sainte Marie, élevée au rang de Cathédrale au XVIe siècle, con
RMPNMB9G–DETALLE DEL RETABLO DE SANTIAGO - RETABLO MAYOR REALIZADO EN MADERA DE NOGAL - SIGLO XVI - RENACIMIENTO ESPAÑOL. Author: BERRUGUETE, ALONSO. Location: IGLESIA DE SANTIAGO. CACERES. SPAIN.
RM2TDG86H–Fragment, added to the retable group in the 19th century with the meeting of the three kings of Adriaen van Wesel and removed during restoration in 1978., Anonymous, c. 1800 - c. 1900 Netherlands oak (wood) cutting the Bosch Netherlands oak (wood) cutting the Bosch
RMP2E4C6–. English: Examples of pre-19th century hoopskirts. The images are: Upper left: The so-called 'Snake Goddess', as discovered and restored by Arthur Evans. 1600 BCE. Details (and even the whole object) could be a fake. Minoan. Often theorised that hoops were required to support the skirts, but this is usually dismissed by scholars. Upper right: Verdugada, 1470-80, as seen in the Retable of St. John the Baptist - detail of Salome and ladies wearing early verdugados (farthingales) or hoop skirts. Painted by Pedro García de Benabarre Lower left: Farthingale, c.1600, as seen in the Portrait of a La
RF2WWJDMW–Sé Cathédrale de Faro De sa construction originelle du XIIIe / XIVe siècle, l’Église de Sainte Marie, élevée au rang de Cathédrale au XVIe siècle, con
RMPNMBF7–DETALLE DEL RETABLO DE SANTIAGO - RETABLO MAYOR REALIZADO EN MADERA DE NOGAL - SIGLO XVI - RENACIMIENTO ESPAÑOL. Author: BERRUGUETE, ALONSO. Location: IGLESIA DE SANTIAGO. CACERES. SPAIN.
RM2TDJYPP–Fragment, added to the retable group in the 19th century with the meeting of the three kings of Adriaen van Wesel and removed during restoration in 1978., Anonymous, c. 1800 - c. 1900 Netherlands oak (wood) cutting the Bosch Netherlands oak (wood) cutting the Bosch
RMMMYYNG–. English: This head, along with its companion piece Head of a Male Saint, was already in this format in the 16th century in the Amerbach collection, but the pair were certainly cut from one or more larger panels of a retable or altarpiece. In 1586, Basilius Amerbach noted these pieces as 'H. Holbein's first work', though doubts have occasionally been raised about the attribution. References Müller, Christian; Stephan Kemperdick; Maryan Ainsworth; et al, Hans Holbein the Younger: The Basel Years, 1515–1532, Munich: Prestel, 2006, ISBN 9783791335803, p. 136. Rowlands, John, Holbein: The Painti
RF2WWJFBY–Sé Cathédrale de Faro De sa construction originelle du XIIIe / XIVe siècle, l’Église de Sainte Marie, élevée au rang de Cathédrale au XVIe siècle, con
RMPNMAGD–RETABLO DE SANTIAGO - RETABLO MAYOR REALIZADO EN MADERA DE NOGAL - SIGLO XVI - RENACIMIENTO ESPAÑOL. Author: BERRUGUETE, ALONSO. Location: IGLESIA DE SANTIAGO. CACERES. SPAIN.
RM2W99JWH–Retable of the Sint-Nicolaaskerk in Burgos, c. 1875 - c. 1900 photograph Burgos cardboard. photographic support albumen print altar with dossel (dorsal), 'reredos', altar-screen, retable. sculpture. parts of church interior. archbishop, bishop, etc. (Roman Catholic) Burgos
RMP288G6–. English: Drawing, Elevation of an Altar, 1894 . English: In the style of the early Renaissance. Three stripes lead up to the mensa. In the base of the retable between two medallions with the coat-of-arms is a tablet with the inscription: 'GVILLERMVS DE PEREIIS AVDITOR HDC AL / TARE DEO ET HIS SANCTIS DEDICAVIT ANNO / I DMCCCCLXXXXIIII'. Above it stand the statues of St. Peter, St. Paul, St. Bartholomew in niches. On top is a lunette with a painted representation of S. Anselmo and S. Idelfonso, as the captions read, kneeling in adoration beside the sitting Virgin, in whose lap the child sta
RF2WWJHEA–Sé Cathédrale de Faro De sa construction originelle du XIIIe / XIVe siècle, l’Église de Sainte Marie, élevée au rang de Cathédrale au XVIe siècle, con
RM2TDKCME–Fragment, added to the retable group in the 19th century with the meeting of the three kings of Adriaen van Wesel and removed during restoration in 1978., Anonymous, c. 1800 - c. 1900 Netherlands oak (wood) cutting the Bosch Netherlands oak (wood) cutting the Bosch
RMMNTMMA–. English: Predella Colonna, pannels of the Colonna Altarpiece by Raffaello Sanzio. From left to right: St. Francis of Assissi (25,8 x 16,8 cm, Dulwich Picture Gallery, London) - The Agony in the Garden (23,5 x 28,8 cm, Metropolitan Museum of Art, New York) - The Procession to Calvary (24,4 x 85,5 cm, National Gallery, London) - Pietà (23,5 x 28,8 cm, Isabella Stewart Gardner Museum, Boston) - St. Anthony of Padua (25,6 x 16,4 cm, Dulwich Picture Gallery)' Français : Prédelle Colonna, élément bas du retable Colonna par Raffaello Sanzio. De gauche à droite : Saint François d'assise (25,8 x 16,
RF2WWJHAB–Sé Cathédrale de Faro De sa construction originelle du XIIIe / XIVe siècle, l’Église de Sainte Marie, élevée au rang de Cathédrale au XVIe siècle, con
RMPNMBMW–RETABLO DE SANTIAGO - RETABLO MAYOR REALIZADO EN MADERA DE NOGAL - SIGLO XVI - RENACIMIENTO ESPAÑOL. Author: BERRUGUETE, ALONSO. Location: IGLESIA DE SANTIAGO. CACERES. SPAIN.
RM2WA2BCW–Detail of the retable of the main altar of the cathedral, Sevilla, Spain, c. 1857 - c. 1890 photograph Stone reliefs with biblical representations at the top and bottom plant motifs. Compare RP-F-00-6078. Madrid photographic support. cardboard albumen print Cathedral of Seville
RF2WWJH8W–Sé Cathédrale de Faro De sa construction originelle du XIIIe / XIVe siècle, l’Église de Sainte Marie, élevée au rang de Cathédrale au XVIe siècle, con
RMPNKBDP–RETABLO MAYOR - 1571/1575 - LA MAGDALENA. Author: JORDAN ESTEBAN. Location: IGLESIA DE LA MAGDALENA. Valladolid. SPAIN.
RM2WGRPD2–Retable, c. 1543 - c. 1553 Page 10 Verso, separately set -up sheet from an album consisting of a band with two sheets, a bract and seventeen separately set up sheets. parchment (animal material). ink pen / brush altar with altar-piece
RF2WWJERF–Sé Cathédrale de Faro De sa construction originelle du XIIIe / XIVe siècle, l’Église de Sainte Marie, élevée au rang de Cathédrale au XVIe siècle, con
RMPNKBBM–RETABLO MAYOR DE LA CATEDRAL DE PALENCIA CON ESCULTURAS DE FELIPE VIGARNY Y PINTURAS DE JUAN DE FLANDES - SIGLO XVI - RENACIMIENTO ESPAÑOL. Author: GUADALUPE PEDRO DE. Location: CATEDRAL-INTERIOR. PALENCIA. SPAIN.
RM2JW74KH–Image of a sandstone retable in the east wall of the chapel of Bishop Jan van Arkel in the Domkerk (Domplein) in Utrecht. The retable represents an Anna three, with St. Maarten (?), St. Antonius, St. Jakob, St. Catharina, St. Agnes and an unknown female saint.
RF2WWJDXJ–Sé Cathédrale de Faro De sa construction originelle du XIIIe / XIVe siècle, l’Église de Sainte Marie, élevée au rang de Cathédrale au XVIe siècle, con
RM2WGRR1W–Retable, c. 1543 - c. 1553 Page 16 Verso, loose -set page from an album consisting of a band with two blades, a bract and seventeen separately stuffed sheets. parchment (animal material). ink pen / brush altar with dossel (dorsal), 'reredos', altar-screen, retable
RF2WWJJ9G–Sé Cathédrale de Faro De sa construction originelle du XIIIe / XIVe siècle, l’Église de Sainte Marie, élevée au rang de Cathédrale au XVIe siècle, con
RMP89P8K–Part of the Altarpiece of Saint Michael and Saint Peter, 1432-1433. Tempera, gold leaf and metal plate on wood. 550 x 520 x 37 cm. Collaboration Bernat Despuig. The altarpiece comes from the high altar of the church of Sant Miquel de la Seu d'Urgell (Alt Urgell). Museu Nacional d'Art de Catalunya.
RM2WGRT3D–Retable, c. 1543 - c. 1553 Page 14 Verso, loose -set page from an album consisting of a band with two blades, a bract and seventeen separately stuffed sheets. parchment (animal material). ink pen / brush altar with dossel (dorsal), 'reredos', altar-screen, retable
RF2WWJEEE–Sé Cathédrale de Faro De sa construction originelle du XIIIe / XIVe siècle, l’Église de Sainte Marie, élevée au rang de Cathédrale au XVIe siècle, con
RM2CFB0GP–IGLESIA - RETABLO MAYOR - DETALLE DE SANTIAGO. Location: MONASTERIO DE SANTA MARIA DE EL PAULAR-INTERIOR. RASCAFRIA. MADRID. SPAIN.
RM2TDGDGX–Fragment of the meeting of the three kings, added to the retable group in the 19th century with the meeting of the three kings of Adriaen van Wesel and removed during restoration in 1978., Anonymous, c. 1800 - c. 1900 Hand and a small indefinable fragment. Netherlands oak (wood) cutting the Bosch Hand and a small indefinable fragment. Netherlands oak (wood) cutting the Bosch
Search Results for ´retable Stock Photos and Images (7,002)
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