Dedicated to Women Guitarists and Bassists

Playing the guitar can be challenging at times, but using a capo allows for more freedom of expression. A capo is not just a tool to make guitar playing easier; it can make playing and songwriting a personal experience, and is a creative way to expand your voice. In this lesson, I will share how using a capo can inspire your creativity.

Capo
She Shreds x Kyser Limited Edition Capo Available at SheShreds.Shop

What is a Capo?

A capo is a clamp that can be placed on the neck/fretboard of the guitar to change the pitch of each open string. Playing the same open chord progressions and melodies from lesson one with a capo will change the keys of those progressions and notes. 

Capo Chart

Open Chords

An open chord is a guitar chord that uses open strings. For example: a full C major chord consists of open notes G on the third string and E on the first strings.

C Major 1
C chord

Closed Chords

A closed chord is a guitar chord that doesn’t include any open notes. For example: a B major chord consists of notes that are all closed on the guitar.

B Major 1
B Chord

Barre Chords 

A barre chord is a guitar chord that requires your index finger on your left hand to cover more than one string. A barre chord can consist of covering all six guitar strings. For example: an F major chord consists of covering at least the first two strings on the first fret with your index finger.

f Major Update 03
Barre F

Note: You can still play barre chords using a capo—they even become easier because the capo helps with the string tension. For example: without a capo, a barre F chord may be more difficult to play than a barre A chord because there’s less tension the further you go up the guitar neck. This is because the closer you are to the nut of the guitar, the more difficult it is to play these chords. 

Changing Keys

Let’s use an open chord 1-4-5 progression in the key of C and play the capo on the third fret. If you play a C chord on the third fret, it becomes an Eb chord. The C chord changes three steps.

Changing Keys

See the exercises below for reference:

Key of C: C F G C

CFGC
C chord
C
F chord
F
G Chord
G
C chord
C

Exercise

C Exercise 2

Example: “La Bamba” by Ritchie Valens.

Challenging Chords

For any guitarist, changing between closed chords can be challenging. Using a capo can make closed and barre chords easier to play because it is less stress on your hand. A capo will also make it more fun to play these challenging chords because you can use the open strings and chords for trying new voices. For example: the chords Eb, Ab and Bb can all be challenging for a beginner guitarist. Placing the capo on the third fret and using the chord shapes for C, F, and G can allow space to try something new that can be more difficult to do without a capo.   

See the exercise below for reference: 

Key of Eb: Eb Ab Bb Eb

Eb 4
Eb 2
Eb without Capo
Eb capo
Eb with Capo
Ab 3
Ab 2
Ab Closed
Barre Ab 1
Barre Ab
Ab capo
Ab with Capo
Bb 2
B Chord 2
Bb Closed
Barre Bb 2
Barre Bb
Bb capo
Bb with Capo

Exercise

E flat Exercise 2

Note: “La Bamba” can now be played in the key of Eb.

Exploring Your Voice

Less stress for guitar playing can allow more space for creativity, and using a capo can make it more fun. If you’re not tiring out your hand with closed or barre chords, you’re more likely to pick up the guitar and practice. Not only does a capo make guitar playing easier, but it helps singers by having the ability to change keys. If a singer is learning a song, they may feel more comfortable singing in a different key than the original—the same goes for songwriting. So the capo is useful for your singing voice and can help assist with your purpose and message through songwriting. 

Selecting A Capo

Now that you know the purpose of the capo and how it can be helpful for more than just guitar playing, you will need to select the right capo for your voice. As a North Texas resident and educator, I’ve always recommended the capos of local company Kyser to my students and clients over the past 15 years. Kyser capos are efficient, durable, affordable, and easy to use. Kyser is best known for their signature Quick-Change model, with which a guitarist can easily change keys without affecting the tuning of their open strings.

About Kyser     

Kyser is based in North Texas and is dedicated to expanding your voice. Founded by Milton Kyser in 1980, he used his voice to create a foundation of community by sharing information about a better capo and other guitar products—he even focused his time in my current neighborhood, Deep Ellum, sharing information in music clubs about their Quick-Change capo. In 2012, Milton stepped down as CEO,and for the last decade Kyser has been owned and operated by his grand-niece, Meredith McClung-Attebery. This year, Kyser is commemorating its 40th anniversary.  

Representation

McClung-Attebery has continued the value of community that her great-uncle started, and as part of their 40th anniversary celebration, Kyser recently released the limited edition Meredith Signature Quick-Change Acoustic Guitar Capo to honor her leadership. McClung-Attebery is a pioneer in the music industry, and hopes to empower other women as well. “Be nice to the women around you,” she wrote last month on Kyser’s Twitter. “If you can mentor someone, then take the time to do it. We must take the time to listen to our sisters. That is half the battle!” McClung-Attebery focuses on inclusivity in the music industry and has created a company that has expanded to 35 countries and diversified its artist roster and ambassadors to include all backgrounds and proficiency levels. To further empower our voices, Kyser has created a limited edition capo for She Shreds Media: For a limited time, a portion of the proceeds will benefit Swan Strings, my 501c3 non-profit organization that provides free music education and sound therapy services for North Texas individuals without access.     

Kyser Gif
She Shreds x Kyser Limited Edition Capo

About the Author

Jess Garland is a Dallas-based multi-instrumentalist, singer/songwriter, and recording and performing artist. She has opened for musicians such as Madame Gandhi at Babes Fest 2019, and Academy member Gingger Shankar for Fortress Fest Presents Modern Music Series 2018. Jess is the President and Founding Director of Swan Strings, a 501c3 non-profit organization for free music education and sound therapy services to North Texas individuals without access. She recently released her first single, “GLOW,” available now on all streaming platforms. 

Learning the guitar is a personal and spiritual experience; you’re learning about yourself through discipline and creative expression. Playing guitar is like therapy and can be healing through these new practices. In this lesson, I’ll share my personal story and what I have experienced for the past 15 years as a performing artist and educator, as well as the details to consider when starting to learn the guitar, including new chords, music theory, and exercises to help you along your journey. 

Table of Contents

My Story

I was first inspired to play the guitar as a child when I heard Jimi Hendrix, and then Prince. In high school I was inspired by India.Arie and Lauryn Hill; it was the first time I had seen black women use the guitar as a primary instrument as a solo artist. My first guitar was a black steel-string acoustic gifted to me by my parents, and in 2002 I started taking a classical guitar class in college. I remembered how to read music from playing clarinet in elementary and middle school bands, so I thought I was prepared; however, the first day of class I realized that I didn’t have the appropriate guitar and, additionally, I needed a footstool. 

After my first semester I purchased a classical nylon-string acoustic and was ready for the next few years of studying classical guitar. At the time, I didn’t know that this same instrument would be used for the next 15 years as my only guitar for practicing, teaching, and performing. Today, it’s used as a student instrument for my program Swan Strings, a 501c3 non-profit organization for free music education and sound therapy services for North Texas individuals without access.

Selecting Your Guitar

Once you decide on a budget, it’s best to visit a guitar or music store to try out different instruments. You’ll be spending a significant amount of time practicing, so it’s important to select a guitar that’s comfortable to play and connect with tonally. A few starting points include deciding if you want a steel or nylon-string acoustic guitar. Let’s look at some of the differences between the two types.

Classical Nylon-String Guitar

Main headers Yamaha C Series 12 Classical Guitar
Example: Yamaha C Series CGS102AII

Classical nylon-string guitars are easier on the fingers, and I usually recommend this style for beginners. Nylon-string guitars produce a warm and buttery sound. The body can be slimmer than other acoustic styles, and they have wider necks that can be more challenging for beginners when playing barre chords. 

Suggestion: Yamaha C series ½ or full-sized guitars are affordable and durable without sacrificing its warm tones.

Steel-String Guitar

Main headers Yamaha FX370c Steel String
Example: Yamaha F Series FX370C

Steel-string guitars are typically tougher on the fingers and have a twangier sound. Make sure you sit and play it for a bit, as the body style of steel-string guitars are usually larger than other acoustics; however, they also have slimmer necks that allow for easier movements for your chord progressions.

Suggestion: Yamaha F series ½ or full-sized guitars are great starter guitars for quality and playability.

Getting Comfortable

When trying out these guitars, it’s important to know how to sit when playing. Ideally, you would sit on a chair that doesn’t have any arms so that there’s space to hold your instrument—I often use my harp bench without a back because it forces me to correct my posture. You can purchase a keyboard bench at any music store for the same results. 

If you’re right-handed, the waist of the guitar can be placed on your right leg. Your thumb on your left hand will be placed behind the neck of the guitar. I keep my nails long on my right hand for tone and finger picking, but do what feels comfortable for you. Be sure that the nails on your left hand are trimmed enough to get the string to the fretboard for a clear tone. You don’t want to put your fingers on the frets as you will have a muffled sound, and you also don’t want to place your fingers too far away from the fret as that will produce buzzing. You’ll find the right tone in the middle.

How To Hold The Guitar I
How to hold the guitar

Note for Lefties: Do not assume you need a left-handed guitar; I am left-handed but play right-handed guitar. I think we lefties have an advantage with building our dexterity on the fretboard—give it a try first before purchasing a lefty guitar.

Now that you’ve selected your guitar, the first thing to learn is how to tune it. You have six strings on your guitar. The first string is the skinniest string closest to the waist of the guitar.  The numbers and names of all the guitar strings are as follows:

6 – E

5 – A

4 – D

3 –g

2 –b

1 –e

I normally teach two phrases to help remember the names of the strings on the guitar. For children and adults alike, the most memorable is “ Elephants And Donkeys Grow Big Ears,” and my personal favorite is a daily affirmation for beginner students: “ Each Additional Day Guitar Becomes Easier.”

Suggestions: Snark clip-on tuners are the most efficient, and GuitarTuna is a free app that helps guide your tuning.

Musical Alphabet

The musical alphabet starts with A and ends with G. There are seven letters in the musical alphabet and 12 including the accidentals that are sharp and flat notes. Sharp notes are a half step after the natural note. Flat notes are a half step before the natural note. 

See all music notes below:

Musical Alphabet 1
Musical Alphabet 2

Hand Chart

Hand Chart

Ready to Play

Your guitar is in tune and now you’re ready to play. In the beginning of my teaching career I thought that it was important to teach how to read music; however, I realized that I had limitations as a classical musician to improvise to guitar chords, and additionally, I learned that students just want to jam out. Learning how to read music is an extra layer and at times can be challenging. I changed my curriculum about three years ago while teaching for a non-profit program that didn’t have the resources to buy music books. I wanted to still include music theory, so I started teaching my students the circle of fifths. The more I taught my students this method, I noticed that I became a better improviser as a performing artist. I expanded my skills, was embraced by the avant-garde jazz and experimental community in Dallas, and was able to take opportunities in other genres where there wasn’t a musical director. 

Circle of Fifths 

The Circle of Fifths is a diagram that helps to remember the number and names of sharps and flats in a major scale. Starting with the key of C, it is natural with no sharps or flats. The right side of the circle (G to F#) contains the number of sharps, while the left side (F to Gb) contains the number of flats.

20 Circle Fifths Web
Circle of Fifths

Major Chords

Major chords are brighter and happier sounding chords that use notes 1-3-5. For example: in the key of C, the C note would be the first note, and the entire chord is C-E-G played together. Accordingly, the G chord consists of notes G-B-D.   

See below for reference:

2 Major Chords

Tempo

Counting your notes and chords before playing is what creates music. Most music is created in common time (4/4 time), which is four beats in a measure. Tip: Listen to your favorite song and see if you can count along to the beat. Make sure that you tap along to the beat with your foot.

For additional help keeping time, Metronome is a free app to help with your timing.

1-4-5 Progressions

1-4-5 progressions are very common for major chords. These progressions are pleasing to the ear because they are usually resolved with returning to the 1 which is the tonic/root key. 1-4-5 progressions are the foundation of Western music including classical, rock, and pop songs.  

Rhythm: Play the following exercise by strumming down using your thumb/pick for each beat.

See the exercises below:

Chord Chart

1 145 Progressions Chord Chart Beginning
C chord
C
F chord
F
G Chord
G
D Major
D

Key of C: CFGC

Exercise

6 145 Progressions Exercise

Example: “La Bamba” by Ritchie Valens.

Key of G: GCDG

Exercise

8 145 Progressions Exercise

Example: “Good Riddance” by Green Day.

Modified Chords

3 modified 03
Easy C
Easy C Chord I
Easy F
Easy F Chord I
Easy G
Easy G Chord
Easy C II
Easy C Chord II
Easy F II 2
Easy F Chord II

12-Bar Blues

1-4-5 progressions are also common because they are the foundation of 12-bar blues. 

Example: 1-1-1-1 4-4-1-1 5-4-1-5

Rhythm Challenge: Try strumming twice in one beat. You will strum upward with your thumb/pick on the up beat (v – strum down, ^ – strum up). 

See example below: 

1 + 2 + 3 + 4+

v ^ v ^  v  ^ v ^

Minor Chords

Now that you’ve learned two major chord progressions, let’s add minor and seven chords. Minor chords are warmer or moodier sounding because the third note in the major chord changes to flat. For example: a D major chord is D-F#-A, but a D minor chord changes the F# to F natural. So, the notes of a D minor chord are D-F-A.  

See below for reference: 

7 Minor Chord Beginning

Seven Chords

Seven chords add the flat seventh note in a scale to the major chord. For example: a G7 chord is a G major chord with a F note (G-B-F). Accordingly, a D7 chord is a D major chord with a C note (D-F#-C).

I iii vi ii V Progressions

I iii vi ii V progressions are a 1-3-6-2-5 order that includes minor and/or seven chords.  The smaller roman numerals represent the minor chords. This is a great way to expand on 1-4-5 progressions.    

See the exercises below:

Key of C

5 I iii vi ii V Progressions Key of C
C chord
C
E minor 1
Em
A minor
Am
D minor
Dm
G7
G7
C chord
C
11 I iii vi ii V Progressions Key C

Modified Chords

8 9 modified 08
Easy C
Easy C Chord I
Easy C II
Easy C Chord II
Easy G7
Easy G7 Chord

Key of G

Barre Bm Update
G Chord
G
Barre B minor
Bm
E minor 2
Em
A minor 1
Am
D7
D7
G Chord
G
12 I iii vi ii V Progressions Key G

Modified Chords

Easy Bm Update 09
Easy C
Easy G Chord
Easy B minor 1
Easy Bm Chord I
Easy B minor II
Easy Bm Chord II

Single Note Exercises

Now that you’ve learned a series of chords, it’s time to start working on single notes and lead picking. This exercise will help you build strength and dexterity. Be sure to use fingers 1,2,3,4 on your left-hand to match frets 1,2,3,4. Play each note using your thumb/pick on your right-hand in a downward motion.

13 Single Note Exercises 1

Right-hand Challenge: Play every other note using only your index and middle fingers.

Major Scales

Once you’ve completed your single note exercises, you can start working on scales. Scales are a series of eight notes that start and end with the same note. The notes of a scale are called steps. A major scale goes as follows: whole step-whole step-half step-whole step-whole step-whole step-half step (W – whole step, H – half step).

See below for reference:

Key of C

14 Single Note Exercises Major Scales Key C

Open C Scale

15 Single Note Exercises Major Scales Open C Scale 1

Key of G

16 Single Note Exercies Major Scales Key G

Open G Scale

17 Single Note Exercises Major Scales Open G Scale 1

Melodies

It’s time to put your exercises to the test by learning to play melodies. This is a good ear training exercise to play music that you are familiar with hearing and singing. 

For reference: the following songs are in the key of C.

Happy Birthday

18 Melodies Happy Birthday

Ode To Joy

19 Melodies Ode To Joy

Practicing

Throughout this lesson you’ve learned how to play a series of chord progressions and scales to help with your creative expression. The second step is practicing these exercises daily for at least 30 minutes. If things are not progressing as you would like, please don’t be hard on yourself; practicing a musical instrument is a spiritual workout. Just remember to keep trying and continuing to move forward. The most important thing to know is that you are a creator of not only music, but your thoughts as well—do not compare yourself to other musicians. This is your voice, so remember:  “Each Additional Day Guitar Becomes Easier.”

Combined Chord Chart 

2 Legend 1
chord chart update 07

About the Author

Jess Garland is a Dallas-based multi-instrumentalist, singer/songwriter, and recording and performing artist. She has opened for musicians such as Madame Gandhi at Babes Fest 2019, and Academy member Gingger Shankar for Fortress Fest Presents Modern Music Series 2018. Jess is the President and Founding Director of Swan Strings, a 501c3 non-profit organization for free music education and sound therapy services to North Texas individuals without access. She recently released her first single, GLOW,” available now on all streaming platforms. 

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