The return of a fan favorite franchise, the critically acclaimed new movie from a modern day genre visionary, and a slasher from the perspective of the Jason Voorhees-like killer.
It’s all headed our way in the coming weeks. And it’s only the tip of the iceberg…
Here’s all the new horror releasing in theaters and at home in May 2024!
For daily reminders about new horror releases, be sure to follow @HorrorCalendar.
I Saw The TV Glow – May 3 (Limited), May 17 (Wide)
Fresh off the haunting and singularly creepy indie We’re All Going to the World’s Fair, Jane Schoenbrun is back with A24‘s I Saw the TV Glow, releasing only in theaters May 3.
In I Saw the TV Glow, “Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious TV show — a vision of a supernatural world beneath their own.
It’s all headed our way in the coming weeks. And it’s only the tip of the iceberg…
Here’s all the new horror releasing in theaters and at home in May 2024!
For daily reminders about new horror releases, be sure to follow @HorrorCalendar.
I Saw The TV Glow – May 3 (Limited), May 17 (Wide)
Fresh off the haunting and singularly creepy indie We’re All Going to the World’s Fair, Jane Schoenbrun is back with A24‘s I Saw the TV Glow, releasing only in theaters May 3.
In I Saw the TV Glow, “Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious TV show — a vision of a supernatural world beneath their own.
- 4/29/2024
- by John Squires
- bloody-disgusting.com
“Dream Team,” the most recent film from directing duo Lev Kalman and Whitney Horn has been acquired by Yellow Veil Pictures ahead of its international sales launch at Marche du Film.
Yellow Veil has acquired worldwide sales rights and North American distribution rights to “Dream Team,” which just held its U.S. premiere at the Los Angeles Festival of Movies after world premiering at the International Film Festival Rotterdam. The company plans to release the film domestically later this year.
According to its official synopsis, “Dream Team” is “an absurdist homage to ’90s basic cable TV thrillers, which follows the episodic escapades of two hot Interpol agents who uncover an international, interspecies mystery.”
“Dream Team” stars Esther Garrel (“Call Me by Your Name”) and Alex Zhang Hungtai (“I Was a Simple Man”). Executive producers include Sarah Winshall (“I Saw the TV Glow”), Pierce Varous (“The Feeling That the Time for Doing Something Has Passed...
Yellow Veil has acquired worldwide sales rights and North American distribution rights to “Dream Team,” which just held its U.S. premiere at the Los Angeles Festival of Movies after world premiering at the International Film Festival Rotterdam. The company plans to release the film domestically later this year.
According to its official synopsis, “Dream Team” is “an absurdist homage to ’90s basic cable TV thrillers, which follows the episodic escapades of two hot Interpol agents who uncover an international, interspecies mystery.”
“Dream Team” stars Esther Garrel (“Call Me by Your Name”) and Alex Zhang Hungtai (“I Was a Simple Man”). Executive producers include Sarah Winshall (“I Saw the TV Glow”), Pierce Varous (“The Feeling That the Time for Doing Something Has Passed...
- 4/10/2024
- by Ellise Shafer
- Variety Film + TV
When I was 9 years old, I was obsessed with the Disney Channel monster-of-the-week series, "So Weird." The show centered on a strong-willed teenage girl named Fiona "Fi" Phillips (Cara DeLizia) who used the power of information gathered from online research to help make sense of ghosts, monsters, folk legends, and other supernatural occurrences that seemed to follow her and her rockstar mom while they traveled the country on her comeback tour.
I wasn't yet a teenager and I certainly didn't own a laptop, but I could feel deep in my bones that I was just like Fi Phillips, and often fantasized what it would be like to live her life. Sometimes, the wind would blow a little too strong as I walked home from school or I'd hear a disembodied voice that was probably the result of my own imagination, and the line between my favorite TV show and my own life would blur.
I wasn't yet a teenager and I certainly didn't own a laptop, but I could feel deep in my bones that I was just like Fi Phillips, and often fantasized what it would be like to live her life. Sometimes, the wind would blow a little too strong as I walked home from school or I'd hear a disembodied voice that was probably the result of my own imagination, and the line between my favorite TV show and my own life would blur.
- 4/8/2024
- by BJ Colangelo
- Slash Film
The Calgary Underground Film Festival (Cuff) is Western Canada’s largest genre film festival which showcases everything from horror and sci-fi to indie comedies and music and fan docs. The 21st Edition of Cuff runs from April 18-28 and will open with I Saw the TV Glow; the Canadian premiere of the A24 release from visionary filmmaker Jane Schoenbrun (We're All Going to the World's Fair) follows a lonely teenager whom a classmate introduces to a mysterious late-night TV show, and soon the world within the show begins to feel more real than real life. Cult favourite John Waters will be in attendance for one night only, with his new live spoken word show Devil's Advocate, followed by a 30th Anniversary screening of his film Serial Mom....
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 3/28/2024
- Screen Anarchy
After debuting at Sundance to rave reviews, Jane Schoenbrun’s second feature, I Saw the TV Glow, made a stop at SXSW before its theatrical release in a few months. Giving the esoteric filmmaker more freedom thanks to its larger budget, this dark fantasy is effective in many ways but unexpectedly leaves something to be desired.
I Saw the TV Glow follows two teenagers who share a bond over their favorite TV show, only for their lives to be thrown into disarray when it is canceled. A24 is marketing this as the latest in its cerebral/“elevated” subgenre of horror, and while there are certainly elements of this there, it’s more accurately described as a surreal, often unnerving fantasy film.
The movie is inarguably most effective as a work of atmosphere and image-making. Schoenbrun succeeds in creating an undeniably alluring atmosphere, much as they did in We’re All Going to the World’s Fair,...
I Saw the TV Glow follows two teenagers who share a bond over their favorite TV show, only for their lives to be thrown into disarray when it is canceled. A24 is marketing this as the latest in its cerebral/“elevated” subgenre of horror, and while there are certainly elements of this there, it’s more accurately described as a surreal, often unnerving fantasy film.
The movie is inarguably most effective as a work of atmosphere and image-making. Schoenbrun succeeds in creating an undeniably alluring atmosphere, much as they did in We’re All Going to the World’s Fair,...
- 3/13/2024
- by Sean Boelman
- FandomWire
I wasn’t in the overwhelming camp of critics enamored by Jane Schoenbrun’s We’re All Going to the World’s Fair. I don’t say that to brag or even scold, but to set proper expectations as you read this review of I Saw the TV Glow. Schoenbrun’s style of borderline mournful listlessness has the structure of a neon daydream, which is fluttery and ethereal in ways that align with arthouse styles that are not meant to please all audiences. I Saw the TV Glow cements Schoenbrun’s cerebral and sobering lullaby style as a recurring signature, which I appreciate more this time. Schoenbrun understands and conveys the anxieties of existence so bluntly, albeit tuned to its own unique static-hazy frequency.
Justice Smith stars as suburbanite Owen, who we accompany through decades of his life. As a child (played by Ian Foreman), he became obsessed with a supernatural young...
Justice Smith stars as suburbanite Owen, who we accompany through decades of his life. As a child (played by Ian Foreman), he became obsessed with a supernatural young...
- 3/11/2024
- by Matt Donato
- DailyDead
Justice Smith and Brigette Lundy-Paine in I Saw the TV GlowImage: A24
As part of our coverage of the 2024 South By Southwest film festival, The A.V. Club had an opportunity to screen I Saw The TV Glow for review. This is the first in what will be a series of...
As part of our coverage of the 2024 South By Southwest film festival, The A.V. Club had an opportunity to screen I Saw The TV Glow for review. This is the first in what will be a series of...
- 3/11/2024
- by Matthew Jackson
- avclub.com
Clockwise from left: The Idea of You (Amazon Studios), Y2K (A24), Civil War (A24), The Fall Guy (Universal Pictures)Graphic: The A.V. Club
The South by Southwest film and TV festival, commonly known (at least in print) as SXSW, is upon us once again, promising another star-packed week of blockbuster premieres,...
The South by Southwest film and TV festival, commonly known (at least in print) as SXSW, is upon us once again, promising another star-packed week of blockbuster premieres,...
- 3/7/2024
- by Matthew Jackson
- avclub.com
In the ever-evolving landscape of horror cinema, a new contender steps into the neon spotlight, promising a unique blend of teenage angst and supernatural thrills. I Saw the TV Glow just dropped its first trailer, and it’s already setting the stage for what could be the most intriguingly eerie movie experience of 2024.
At the heart of this chilling adventure are Justice Smith and Brigette Lundy-Paine, playing two small-town teenagers bound by an uncommon obsession: a mysteriously canceled TV show. With a premise that feels like a nostalgic nod to the late-night TV binges of yore, I Saw the TV Glow seems poised to redefine the boundaries between the supernatural and the everyday with a distinctly electric purple hue of TV static as its backdrop.
The creative mind behind this intriguing venture is none other than Jane Schoenbrun, previously known for their webcam horror exploration in We’re All Going to the World’s Fair.
At the heart of this chilling adventure are Justice Smith and Brigette Lundy-Paine, playing two small-town teenagers bound by an uncommon obsession: a mysteriously canceled TV show. With a premise that feels like a nostalgic nod to the late-night TV binges of yore, I Saw the TV Glow seems poised to redefine the boundaries between the supernatural and the everyday with a distinctly electric purple hue of TV static as its backdrop.
The creative mind behind this intriguing venture is none other than Jane Schoenbrun, previously known for their webcam horror exploration in We’re All Going to the World’s Fair.
- 3/5/2024
- by NOFS STAFF
After mesmerizing viewers with We're All Going to the World's Fair in 2022, innovative filmmaker Jane Schoenbrun is returning to the big screen with their new movie I Saw the TV Glow, and we have a look at the eerie trailer ahead of the film's May 3rd release from A24.
Below, you can watch the trailer for I Saw the TV Glow, and in case you missed it, listen to Jane Schoenbrun discuss We're All Going to the World's Fair with Heather Wixson on a previous episode of Corpse Club!
Written and directed by Jane Schoenbrun, I Saw the TV Glow stars Justice Smith, Brigette Lundy-Paine, Ian Foreman, and Helena Howard, Fred Durst, and Danielle Deadwyler.
Synopsis: "Teenager Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious late-night TV show — a vision of a supernatural world beneath their own. In...
Below, you can watch the trailer for I Saw the TV Glow, and in case you missed it, listen to Jane Schoenbrun discuss We're All Going to the World's Fair with Heather Wixson on a previous episode of Corpse Club!
Written and directed by Jane Schoenbrun, I Saw the TV Glow stars Justice Smith, Brigette Lundy-Paine, Ian Foreman, and Helena Howard, Fred Durst, and Danielle Deadwyler.
Synopsis: "Teenager Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious late-night TV show — a vision of a supernatural world beneath their own. In...
- 3/1/2024
- by Derek Anderson
- DailyDead
La pesadilla que conquistó Sundance ya tiene tráiler y póster. © A24
A24, la prolífica productora detrás de joyas del terror indie, ha publicado el primer tráiler y póster de la película de terror escrita y dirigida por Jane Schoenbrun (“We’re All Going to the World’s Fair”), “I Saw the TV Glow”, que triunfó en Sundance, siendo la película mejor valorada del Festival este año.
Protagonizada por Justice Smith (“Dungeons & Dragons: Honor Among Thieves”) y Brigette Lundy-Paine (“Atypical), la película de terror gira en torno a dos personas unidas por la cancelación de su serie de televisión favorita. Tras la cancelación de la serie por parte de la cadena, a los protagonistas les empiezan a suceder cosas extrañas que los llevan a un viaje que les hará cuestionarse constantemente su realidad.
El triunfo de Sundance de “I Saw the TV Glow” recuerda mucho al de “Talk to Me”, la sensación...
A24, la prolífica productora detrás de joyas del terror indie, ha publicado el primer tráiler y póster de la película de terror escrita y dirigida por Jane Schoenbrun (“We’re All Going to the World’s Fair”), “I Saw the TV Glow”, que triunfó en Sundance, siendo la película mejor valorada del Festival este año.
Protagonizada por Justice Smith (“Dungeons & Dragons: Honor Among Thieves”) y Brigette Lundy-Paine (“Atypical), la película de terror gira en torno a dos personas unidas por la cancelación de su serie de televisión favorita. Tras la cancelación de la serie por parte de la cadena, a los protagonistas les empiezan a suceder cosas extrañas que los llevan a un viaje que les hará cuestionarse constantemente su realidad.
El triunfo de Sundance de “I Saw the TV Glow” recuerda mucho al de “Talk to Me”, la sensación...
- 3/1/2024
- by Marta Medina
- mundoCine
After stellar reviews following its Sundance premiere, A24 has released the trailer for Jane Schoenbrun’s new horror film, I Saw the TV Glow.
Justice Smith stars as Owen, who strikes up a friendship with older classmate Maddy (Brigette Lundy-Paine). Maddy gets him hooked on a TV show called The Pink Opaque, which, according to Owen’s new friend, is about teen girls Tara (Lindsay Jordan) and Isabela (Helena Howard), who share a psychic connection and “help each other fight a new monster from across the county.”
While the show offers them escapism from their tumultuous adolescent lives, they soon realize that the universe from The Pink Opaque is beginning to blur with reality. Owen tries to ignore this at first, telling Maddy it’s just “a TV show,” but is forced to confront the blended worlds when Maddy disappears and the series gets canceled.
Schoenbrun cast various musicians for...
Justice Smith stars as Owen, who strikes up a friendship with older classmate Maddy (Brigette Lundy-Paine). Maddy gets him hooked on a TV show called The Pink Opaque, which, according to Owen’s new friend, is about teen girls Tara (Lindsay Jordan) and Isabela (Helena Howard), who share a psychic connection and “help each other fight a new monster from across the county.”
While the show offers them escapism from their tumultuous adolescent lives, they soon realize that the universe from The Pink Opaque is beginning to blur with reality. Owen tries to ignore this at first, telling Maddy it’s just “a TV show,” but is forced to confront the blended worlds when Maddy disappears and the series gets canceled.
Schoenbrun cast various musicians for...
- 2/28/2024
- by Tatiana Tenreyro
- The Hollywood Reporter - Movie News
A24 has released the trailer for its nostalgic coming-of-age horror film I Saw the TV Glow, and announced the stacked soundtrack, which features new music from Sloppy Jane featuring Phoebe Bridgers, Alex G, Caroline Polachek, Snail Mail, Bartees Strange, Jay Som, and more.
Directed by Jane Schoenbrun (We’re All Going to the World’s Fair), the movie centers around two teenagers — played by Justice Smith and Brigitte Lundy-Paine — who bond over their shared obsession with a Buffy the Vampire Slayer-inspired TV show called The Pink Opaque.
In the trailer, soundtracked by yeule’s cover of Broken Social Scene’s “Anthems for a Seventeen Year-Old Girl,” Maddy (Lundy-Paine) tells Owen (Smith) that The Pink Opaque “feels more real than real life” before she suddenly vanishes without a trace. Watch the full clip below.
The cast also includes Fred Durst and Snail Mail’s Lindsey Jordan alongside Ian Foreman, Helena Howard, and Danielle Deadwyler.
Directed by Jane Schoenbrun (We’re All Going to the World’s Fair), the movie centers around two teenagers — played by Justice Smith and Brigitte Lundy-Paine — who bond over their shared obsession with a Buffy the Vampire Slayer-inspired TV show called The Pink Opaque.
In the trailer, soundtracked by yeule’s cover of Broken Social Scene’s “Anthems for a Seventeen Year-Old Girl,” Maddy (Lundy-Paine) tells Owen (Smith) that The Pink Opaque “feels more real than real life” before she suddenly vanishes without a trace. Watch the full clip below.
The cast also includes Fred Durst and Snail Mail’s Lindsey Jordan alongside Ian Foreman, Helena Howard, and Danielle Deadwyler.
- 2/28/2024
- by Eddie Fu
- Consequence - Film News
A24 has released the trailer for its nostalgic coming-of-age horror film I Saw the TV Glow, and announced the stacked soundtrack, which features new music from Sloppy Jane featuring Phoebe Bridgers, Alex G, Caroline Polachek, Snail Mail, Bartees Strange, Jay Som, and more.
Directed by Jane Schoenbrun (We’re All Going to the World’s Fair), the movie centers around two teenagers — played by Justice Smith and Brigitte Lundy-Paine — who bond over their shared obsession with a Buffy the Vampire Slayer-inspired TV show called The Pink Opaque.
In the trailer, soundtracked by yeule’s cover of Broken Social Scene’s “Anthems for a Seventeen Year-Old Girl,” Maddy (Lundy-Paine) tells Owen (Smith) that The Pink Opaque “feels more real than real life” before she suddenly vanishes without a trace. Watch the full clip below.
The cast also includes Fred Durst and Snail Mail’s Lindsey Jordan alongside Ian Foreman, Helena Howard, and Danielle Deadwyler.
Directed by Jane Schoenbrun (We’re All Going to the World’s Fair), the movie centers around two teenagers — played by Justice Smith and Brigitte Lundy-Paine — who bond over their shared obsession with a Buffy the Vampire Slayer-inspired TV show called The Pink Opaque.
In the trailer, soundtracked by yeule’s cover of Broken Social Scene’s “Anthems for a Seventeen Year-Old Girl,” Maddy (Lundy-Paine) tells Owen (Smith) that The Pink Opaque “feels more real than real life” before she suddenly vanishes without a trace. Watch the full clip below.
The cast also includes Fred Durst and Snail Mail’s Lindsey Jordan alongside Ian Foreman, Helena Howard, and Danielle Deadwyler.
- 2/28/2024
- by Eddie Fu
- Consequence - Music
After this trailer, you'll likely never look at childhood nostalgia the same way ever again. A24 has all but cornered the market these days on distributing original horror movies that feel of a piece with one another, leading an entire generation of moviegoers to think of the studio in the same terms as Marvel movies -- as a brand in and of itself, remarkably enough. Marketing prowess aside, however, many filmmakers have managed to take full advantage of this creative partnership and get eyeballs on fascinating movies that otherwise might've slid underneath most audiences' radars. Next up is one of the year's most daring and creative productions yet: "I Saw the TV Glow."
Written and directed by Jane Schoenbrun, this marks the non-binary filmmaker's newest effort after 2021's "We're All Going to the World's Fair," a feature debut that immediately put their name on the map for good. "I Saw the TV Glow...
Written and directed by Jane Schoenbrun, this marks the non-binary filmmaker's newest effort after 2021's "We're All Going to the World's Fair," a feature debut that immediately put their name on the map for good. "I Saw the TV Glow...
- 2/28/2024
- by Jeremy Mathai
- Slash Film
A24 has released a first look for Jane Schoenbrun’s new film, I Saw The TV Glow. Take a look at the mind-bending trailer.
Every year, one film seems to cause more buzz than any other at Sundance Film Festival and this year, that film was, without a doubt, Jane Schoenbrun’s I Saw The TV Glow.
A24 are both producing the film, with a little help from one Emma Stone and her production company Fruit Tree, and the prolific studio have now released a trailer for the mind-bending horror film.
Take a look at the I Saw The TV Glow trailer.
As you can see from the glowing pull quotes from the trailer, people loved the film at Sundance and at Berlinale, where the film recently screened. The film is currently enjoying a very impressive 91% critic score on Rotten Tomatoes.
The film has quite the cast too. Justice Smith...
Every year, one film seems to cause more buzz than any other at Sundance Film Festival and this year, that film was, without a doubt, Jane Schoenbrun’s I Saw The TV Glow.
A24 are both producing the film, with a little help from one Emma Stone and her production company Fruit Tree, and the prolific studio have now released a trailer for the mind-bending horror film.
Take a look at the I Saw The TV Glow trailer.
As you can see from the glowing pull quotes from the trailer, people loved the film at Sundance and at Berlinale, where the film recently screened. The film is currently enjoying a very impressive 91% critic score on Rotten Tomatoes.
The film has quite the cast too. Justice Smith...
- 2/28/2024
- by Maria Lattila
- Film Stories
Fresh off the haunting and singularly creepy indie We’re All Going to the World’s Fair, Jane Schoenbrun is back with A24‘s I Saw the TV Glow, releasing only in theaters May 3.
Headed to the SXSW Film Festival next month, I Saw the TV Glow first earned rave reviews out of Sundance, and several of them are featured in the film’s must-see official trailer.
In a world where too many people seem to be following trends and doing what everyone else is doing, Jane Schoenbrun is undoubtedly a true original. That was clear from We’re All Going to the World’s Fair. And it’s crystal clear watching the trailer for I Saw the TV Glow.
Watch the eerily seductive trailer for I Saw the TV Glow down below, which hails A24’s latest as “a one-of-a-kind masterpiece” and “one of the most original films of this decade.”
Meagan Navarro...
Headed to the SXSW Film Festival next month, I Saw the TV Glow first earned rave reviews out of Sundance, and several of them are featured in the film’s must-see official trailer.
In a world where too many people seem to be following trends and doing what everyone else is doing, Jane Schoenbrun is undoubtedly a true original. That was clear from We’re All Going to the World’s Fair. And it’s crystal clear watching the trailer for I Saw the TV Glow.
Watch the eerily seductive trailer for I Saw the TV Glow down below, which hails A24’s latest as “a one-of-a-kind masterpiece” and “one of the most original films of this decade.”
Meagan Navarro...
- 2/28/2024
- by John Squires
- bloody-disgusting.com
"Will draw you in..." A24 has revealed the first official trailer for I Saw the TV Glow, the acclaimed new feature made by filmmaker Jane Schoenbrun, following their feature debut We're All Going to the World's Fair a few years ago. This film just premiered at both the 2024 Sundance Film Festival and Berlinale these past months, receiving rave reviews from the fest circuit. In this eerie, captivating new film, Justice Smith stars as Owen. He is just trying to make it through teenage life in the suburbs when his classmate introduces him to a mysterious late-night TV show – a vision of a supernatural world within their own. When the show is strangely canceled, time and reality begin to blur. It is another intriguing cinematic tale of identity and being entranced by the allure of the screen. The film co-stars Brigette Lundy-Paine, with Ian Foreman, Helena Howard, Lindsey Jordan, Danielle Deadwyler,...
- 2/28/2024
- by Alex Billington
- firstshowing.net
Filmmaker Jane Schoenbrun has taken Sundance by storm, two films in a row now. Schoenbrun’s coming-of-age horror “We’re All Going to the World’s Fair” was a big breakout at the 2021 Sundance Film Festival and landed the director on the map. And this year, the writer/director’s latest, an A24 Film, “I Saw The TV Glow” saw some of the biggest raves come out of the festival.
Continue reading ‘I Saw The TV Glow’ Trailer: Jane Schoenbrun’s A24 Horror Mindbender Starring Justice Smith Arrives In May at The Playlist.
Continue reading ‘I Saw The TV Glow’ Trailer: Jane Schoenbrun’s A24 Horror Mindbender Starring Justice Smith Arrives In May at The Playlist.
- 2/28/2024
- by Rodrigo Perez
- The Playlist
They’re seeing the TV glowPhoto: A24
Sometimes, a film premiers at a major festival and feels so intriguing—so major—that it develops a fervent fanbase before most audiences have even gotten a chance to see it. Such is the case with Jane Schoenbrun’s sophomore feature, I Saw The TV Glow,...
Sometimes, a film premiers at a major festival and feels so intriguing—so major—that it develops a fervent fanbase before most audiences have even gotten a chance to see it. Such is the case with Jane Schoenbrun’s sophomore feature, I Saw The TV Glow,...
- 2/28/2024
- by Emma Keates
- avclub.com
What happens when the line between reality and TV becomes a little too blurred?
For two outcast teens played by Justice Smith and Brigette Lundy-Paine in “I Saw the TV Glow,” a cult favorite horror series comes to life with haunting consequences. Writer/director Jane Schoenbrun’s A24 feature was one of IndieWire’s must-see films at Sundance 2024 and landed a coveted “A” rating from IndieWire critic David Ehrlich.
The film, which homages everything from the eerie vibes of David Lynch’s “Twin Peaks: The Return” to late-night Nickelodeon ’90s television, follows teens who “bond over their shared love of a scary television show, but the boundary between TV and reality begins to blur after it is mysteriously canceled,” per the official synopsis.
Helena Howard, Lindsey Jordan, Phoebe Bridgers, Fred Durst, Danielle Deadwyler, and Sloppy Jane round out the cast.
Writer/director Schoenbrun’s feature debut “We’re All Going to the World’s Fair...
For two outcast teens played by Justice Smith and Brigette Lundy-Paine in “I Saw the TV Glow,” a cult favorite horror series comes to life with haunting consequences. Writer/director Jane Schoenbrun’s A24 feature was one of IndieWire’s must-see films at Sundance 2024 and landed a coveted “A” rating from IndieWire critic David Ehrlich.
The film, which homages everything from the eerie vibes of David Lynch’s “Twin Peaks: The Return” to late-night Nickelodeon ’90s television, follows teens who “bond over their shared love of a scary television show, but the boundary between TV and reality begins to blur after it is mysteriously canceled,” per the official synopsis.
Helena Howard, Lindsey Jordan, Phoebe Bridgers, Fred Durst, Danielle Deadwyler, and Sloppy Jane round out the cast.
Writer/director Schoenbrun’s feature debut “We’re All Going to the World’s Fair...
- 2/28/2024
- by Samantha Bergeson
- Indiewire
A24 and We’re All Going to the World’s Fair director Jane Schoenbrun have teamed up for a new horror movie called I Saw the TV Glow, which JoBlo’s own Chris Bumbray had the chance to see at the Sundance Film Festival earlier this year (you can read his 5/10 review at This Link). A24 hasn’t announced a release date for the film just yet, but they might be revealing their plans soon, as they have unveiled a poster for I Saw the TV Glow today, and along with the poster comes the promise that a trailer for the film will be making its way online tomorrow. So scroll down to the bottom of this article to take a look at the poster, then come back to JoBlo.com tomorrow to watch the trailer.
Written and directed by Schoenbrun, I Saw the TV Glow tells the story of two...
Written and directed by Schoenbrun, I Saw the TV Glow tells the story of two...
- 2/27/2024
- by Cody Hamman
- JoBlo.com
Fresh off the haunting and utterly creepy indie We’re All Going to the World’s Fair, Jane Schoenbrun is back this year with a new horror movie for A24 titled I Saw the TV Glow.
Next headed to the SXSW Film Festival next month, I Saw the TV Glow first earned rave reviews out of Sundance, and several of them are featured on the film’s official poster.
A24 promises the trailer will arrive online tomorrow, February 28.
Meagan Navarro wrote in her Sundance review for Bd, “I Saw the TV Glow offers a layered and authentic portrait of identity, wrapped in ’90s nostalgia and surreal imagery that embeds itself deep into your psyche.” Meagan continues, “Schoenbrun delivers a singular vision of arthouse horror that entrances for its fevered dream style and insanely cool imagery.”
Justice Smith (Jurassic World Dominion) and Brigette Lundy-Paine (Bill & Ted Face the Music, Bombshell) will lead the...
Next headed to the SXSW Film Festival next month, I Saw the TV Glow first earned rave reviews out of Sundance, and several of them are featured on the film’s official poster.
A24 promises the trailer will arrive online tomorrow, February 28.
Meagan Navarro wrote in her Sundance review for Bd, “I Saw the TV Glow offers a layered and authentic portrait of identity, wrapped in ’90s nostalgia and surreal imagery that embeds itself deep into your psyche.” Meagan continues, “Schoenbrun delivers a singular vision of arthouse horror that entrances for its fevered dream style and insanely cool imagery.”
Justice Smith (Jurassic World Dominion) and Brigette Lundy-Paine (Bill & Ted Face the Music, Bombshell) will lead the...
- 2/27/2024
- by John Squires
- bloody-disgusting.com
Jane Schoenbrun’s defining cinematic preoccupation was clear from their first feature, We’re All Going to the World’s Fair. Young people in the digital age share a symbiotic relationship with the culture that exposes them to a world beyond their lived experiences, and the moving images these impressionable young minds consume end up consuming them.
Schoenbrun moves forward by looking back at the ’90s in their sophomore effort, I Saw the TV Glow, a mesmeric but frequently muddled exploration of transgender self-actualization through identification with a beguiling television program. The disconnect between story and style feels pronounced here, whereas in the writer-director’s first feature these modes of meaning-making felt mutually reinforcing. The film’s thematic content represents a watershed moment for trans cinema, yet it finds expression on screen most often through watered-down genre hallmarks.
I Saw the TV Glow finds Schoenbrun pushing this line of inquiry again with...
Schoenbrun moves forward by looking back at the ’90s in their sophomore effort, I Saw the TV Glow, a mesmeric but frequently muddled exploration of transgender self-actualization through identification with a beguiling television program. The disconnect between story and style feels pronounced here, whereas in the writer-director’s first feature these modes of meaning-making felt mutually reinforcing. The film’s thematic content represents a watershed moment for trans cinema, yet it finds expression on screen most often through watered-down genre hallmarks.
I Saw the TV Glow finds Schoenbrun pushing this line of inquiry again with...
- 2/17/2024
- by Marshall Shaffer
- Slant Magazine
Not many movies scare me anymore. Jane Schoenbrun’s I Saw the TV Glow is one of them. It reduced me to a child, and brought me back to a dream I had of being strapped to a chair and forced to watch something with some unknowable power that is at once intoxicating and terrifying.
I Saw the TV Glow is Schoenbrun’s sophomore film after the micro-budget, experimental critical favorite We’re All Going to the World’s Fair. It is extremely slow, largely abstract, and entirely up to the viewer’s interpretation. With audiences and horror fans, it was controversial, and it seemed like your enjoyment of the film was equivalent to how much you put into it. It premiered at the online 2021 Sundance Film Festival in the Next category (a usually niche category that celebrates more experimental films), and was released in a very small theatrical run, followed by...
I Saw the TV Glow is Schoenbrun’s sophomore film after the micro-budget, experimental critical favorite We’re All Going to the World’s Fair. It is extremely slow, largely abstract, and entirely up to the viewer’s interpretation. With audiences and horror fans, it was controversial, and it seemed like your enjoyment of the film was equivalent to how much you put into it. It premiered at the online 2021 Sundance Film Festival in the Next category (a usually niche category that celebrates more experimental films), and was released in a very small theatrical run, followed by...
- 2/6/2024
- by Aiden Morton
- Talking Films
In writer-director Jane Schoenbrun’s (We're All Going to the World's Fair) second feature-length film, I Saw the TV Glow, cult fandoms, the positives and perils inherent in nostalgia (tonic or toxin), and the boundless search for personal identity, specifically trans identity refracted through media consumption and social norms, come together in Voltron-like fashion into a disquieting, discomfiting blend of fantasy, horror, and drama. Riddled with existential discomfort, surreal digressions, and fractured, irreparable identities, I Saw the TV Glow confirms Schoenbrun’s status as a singularly talented, risk-embracing filmmaker more than worthy of the accolades and acclaim that have come their way. To anyone who counts the 90s as a formative period in their lives, fandoms, specifically cult fandoms, weren’t anything new (e.g., Star Trek: The...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 2/4/2024
- Screen Anarchy
Sundance Film Festival ran from January 18-28 and, after a sluggish start, there were deals (click here for the latest), celebrity sightings, and a protest.
Christopher Nolan turned up to collect an honourary award at the festival’s opening night gala fundraiser and called the occasion a “full circle moment” 23 years after premeiring his breakout thriller Memento there back in 2001.
Kristen Stewart also attended the gala and starred in two films this year, while celebrity guests included Robert Downey Jr., Will Ferrell, and Malia Obama, who managed to attend somewhat under the radar with her short film The Heart credited to Malia Ann.
Christopher Nolan turned up to collect an honourary award at the festival’s opening night gala fundraiser and called the occasion a “full circle moment” 23 years after premeiring his breakout thriller Memento there back in 2001.
Kristen Stewart also attended the gala and starred in two films this year, while celebrity guests included Robert Downey Jr., Will Ferrell, and Malia Obama, who managed to attend somewhat under the radar with her short film The Heart credited to Malia Ann.
- 1/29/2024
- ScreenDaily
Kodak had a momentous 2023 with more than 60 movies shot on film, and 2024 gets off to a promising start, led by Jeff Nichols’ “The Bikeriders,” Luca Guadignino’s “Challengers,” and Robert Eggers’ “Nosferatu.”
In addition, there’s M. Night Shyamalan’s “Trap,” Ilya Povolotsky’s “Grace,” and John Andreas Andersen’s “Nr. 24,” with many more to come.
Plus, there are the following Sundance premieres: Jane Shoenbrun’s “I Saw the TV Glow,” Aaron Shimberg’s “A Different Man,” Nathan Silver’s “Between the Temples,” and Thea Hvistendahl’s “Handling the Undead.”
“Challengers” “Challengers”Amazon/MGM Studios
Guadagnino’s first comedy is a love triangle about the sexual tension of tennis with queer undertones. It stars Zendaya as a championship tennis star/coach opposite Mike Faist as her husband, and Josh O’Connor as her ex-lover and his childhood best friend, thrust into a grudge match tennis competition. The 35mm film-friendly director...
In addition, there’s M. Night Shyamalan’s “Trap,” Ilya Povolotsky’s “Grace,” and John Andreas Andersen’s “Nr. 24,” with many more to come.
Plus, there are the following Sundance premieres: Jane Shoenbrun’s “I Saw the TV Glow,” Aaron Shimberg’s “A Different Man,” Nathan Silver’s “Between the Temples,” and Thea Hvistendahl’s “Handling the Undead.”
“Challengers” “Challengers”Amazon/MGM Studios
Guadagnino’s first comedy is a love triangle about the sexual tension of tennis with queer undertones. It stars Zendaya as a championship tennis star/coach opposite Mike Faist as her husband, and Josh O’Connor as her ex-lover and his childhood best friend, thrust into a grudge match tennis competition. The 35mm film-friendly director...
- 1/27/2024
- by Bill Desowitz
- Indiewire
In the fall of 2021, filmmaker Jane Schoenbrun found themselves back in their hometown, walking the streets of Ardsley in Westchester County, New York, with a disposable camera in hand. They’d taken a day trip up from Brooklyn in the hopes of revisiting the places that had once defined their adolescence. A lot had changed since their teenage years. Now Schoenbrun was wandering through the town — “a classic American suburb, built to keep people sheltered from the real world,” they say with a laugh — as a trans and nonbinary person,...
- 1/27/2024
- by Cat Cardenas
- Rollingstone.com
Writer/Director Jane Schoenbrun’s feature debut, We’re All Going to the World’s Fair, captured the isolating nature of online culture via creepypasta horror through non-narrative, visual storytelling. Schoenbrun continues that core theme of dysphoria in their sophomore effort, I Saw the TV Glow, now armed with a bigger budget that allows the filmmaker to get even more personal while evolving their voice and visual style to an intoxicating degree. I Saw the TV Glow offers a layered and authentic portrait of identity, wrapped in ’90s nostalgia and surreal imagery that embeds itself deep into your psyche.
I Saw the TV Glow charts the life of Owen (Justice Smith) over multiple decades, initially introduced as an early teen (Ian Foreman) in 1996. Owen is a dysphoric and friendless outcast until he bumps into a slightly older student and fellow outcast, Maddy (Brigette Lundy-Paine), at his high school. The pair quickly bond...
I Saw the TV Glow charts the life of Owen (Justice Smith) over multiple decades, initially introduced as an early teen (Ian Foreman) in 1996. Owen is a dysphoric and friendless outcast until he bumps into a slightly older student and fellow outcast, Maddy (Brigette Lundy-Paine), at his high school. The pair quickly bond...
- 1/21/2024
- by Meagan Navarro
- bloody-disgusting.com
In the space of just two movies, Jane Schoenbrun has established a completely unique aesthetic; from the opening credits alone, a riot of black light and neon pastels, it’s obvious that I Saw the TV Glow comes from the same mind that created the trippy 2021 cult hit We’re All Going to the World’s Fair. Anyone puzzled by the latter is advised to stay clear, since the follow-up is more vertiginously dizzying and twice as impressionistic, causing lots of head-scratching at its Sundance premiere. For those ready and willing to embrace its commitment to mood over logic, I Saw the TV Glow is a must-see, pairing the otherworldly ambience of Kyle Edward Ball’s Skinamarink with the morbid surrealism of Charlie Kaufman’s Synecdoche, New York.
The film’s loose storyline involves a seventh-grader named Owen, a pupil at a school that appears to be...
The film’s loose storyline involves a seventh-grader named Owen, a pupil at a school that appears to be...
- 1/19/2024
- by Damon Wise
- Deadline Film + TV
Pretty much anyone who grew up watching television has a vivid memory of that one show that, for a time at least, wouldn’t let go of their young imaginations — characters observed and fretted over like close friends, haunting images captured and embellished over time in the mind, cliffhanger endings that hit like harsh personal betrayals. A show doesn’t have to be especially good to resonate like this, provided it finds its viewers at the right place and time; eventually, most of us move on, that hard cultural grip giving away to the forgiving affection of nostalgia. Heady and oneiric, Jane Schoenbrun’s “I Saw the TV Glow” asks what happens to those who don’t — following two dysfunctional devotees of a ’90s YA fantasy series as the show continues to live inside them (or perhaps the other way round) long after its departure from the airwaves.
This is...
This is...
- 1/19/2024
- by Guy Lodge
- Variety Film + TV
Sinister and liberating in equal measure (and often at the same time), Jane Schoenbrun’s ultra-lo-fi “We’re All Going to the World’s Fair” leveraged the inherent loneliness of webcams and the performative danger of online creepypasta into a haunting portrait of the potentially dysphoric relationship between screens and identity in the internet age. The kind of sui generis shot in the dark that feels like it could only have been made by someone who wasn’t sure if anyone would see it, Schoenbrun’s first movie is one of the rare coming-of-age films that manages to embody the full dread and possibility of self-recognition, and for that reason it almost immediately resonated with an audience of people — trans people in particular — who’d been waiting for something like “We’re All Going to the World’s Fair” since before they had the language to know how much they needed it.
Another, more...
Another, more...
- 1/19/2024
- by David Ehrlich
- Indiewire
Writer-director Jane Schoenbrun’s new film, “I Saw the TV Glow,” is set for a buzzy Sundance premiere, shrouded in secrecy, and could be A24’s biggest horror release of 2024. Yet the heart of the film is delicate and intimate, centered around what the trans community refers to as “the egg crack moment.”
Schoenbrun, who is trans and non-binary, defines the term as “when you stop pretending you’re not trans, trying to desperately find every reason why you’re not, and admit for the first time that you are. That moment can reframe everything in your life.”
“Glow” is, at its core, a deeply personal story about teenagers finding that moment on their own, with Schoenbrun’s experiences and obsessions adding emotional specificity to every scene. The story follows two teen outcasts (Justice Smith and Brigette Lundy-Paine) who bond over “The Pink Opaque,” a cult TV show which makes them both feel seen.
Schoenbrun, who is trans and non-binary, defines the term as “when you stop pretending you’re not trans, trying to desperately find every reason why you’re not, and admit for the first time that you are. That moment can reframe everything in your life.”
“Glow” is, at its core, a deeply personal story about teenagers finding that moment on their own, with Schoenbrun’s experiences and obsessions adding emotional specificity to every scene. The story follows two teen outcasts (Justice Smith and Brigette Lundy-Paine) who bond over “The Pink Opaque,” a cult TV show which makes them both feel seen.
- 1/19/2024
- by William Earl
- Variety Film + TV
Jane Schoenbrun’s follow-up to the 2021 Sundance hit We’re All Going to the World’s Fair is I Saw the TV Glow, about a teenager whose friend introduces him to a late-night TV show that grants access to a supernatural world. The film will play as part of the Midnight section at the 2024 Sundance. Eric Yue, who shot one of last year’s breakout Sundance hits (A Thousand and One) serves as Dp on I Saw the TV Glow. Below, he shares the film’s eclectic reference points and explains how he and Schoenbrun found a visual aesthetic befitting the film’s strangeness. See all […]
The post “I Feel Like We Made an Image That I Have Never Seen Before”: Dp Eric Yue on I Saw the TV Glow first appeared on Filmmaker Magazine.
The post “I Feel Like We Made an Image That I Have Never Seen Before”: Dp Eric Yue on I Saw the TV Glow first appeared on Filmmaker Magazine.
- 1/18/2024
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Jane Schoenbrun’s follow-up to the 2021 Sundance hit We’re All Going to the World’s Fair is I Saw the TV Glow, about a teenager whose friend introduces him to a late-night TV show that grants access to a supernatural world. The film will play as part of the Midnight section at the 2024 Sundance. Eric Yue, who shot one of last year’s breakout Sundance hits (A Thousand and One) serves as Dp on I Saw the TV Glow. Below, he shares the film’s eclectic reference points and explains how he and Schoenbrun found a visual aesthetic befitting the film’s strangeness. See all […]
The post “I Feel Like We Made an Image That I Have Never Seen Before”: Dp Eric Yue on I Saw the TV Glow first appeared on Filmmaker Magazine.
The post “I Feel Like We Made an Image That I Have Never Seen Before”: Dp Eric Yue on I Saw the TV Glow first appeared on Filmmaker Magazine.
- 1/18/2024
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
As the year comes to a close, we look back on all of the wonderful moments that cinema has provided. We’ve got a nice mix of films that took the box office by storm and lesser-seen gems that you really should take the time to check out yourself. From an angry pilgrim to something in the walls, all the way to rich people and the strange things they do for kicks, we’re covering them all because this is Our 10 Favorite Horror Films of 2023.
First off, it wouldn’t be an incredible year if I didn’t have a ton of honorable mentions. So I wanted to make sure to give a shoutout to Onyx the Fortuitous and the Talisman of Souls as one of the best horror comedies of the year, It Lives Inside for its Indian slant on a familiar tale, Talk to Me with its phenomenal cinematography,...
First off, it wouldn’t be an incredible year if I didn’t have a ton of honorable mentions. So I wanted to make sure to give a shoutout to Onyx the Fortuitous and the Talisman of Souls as one of the best horror comedies of the year, It Lives Inside for its Indian slant on a familiar tale, Talk to Me with its phenomenal cinematography,...
- 12/28/2023
- by Tyler Nichols
- JoBlo.com
Get in touch to send in cinephile news and discoveries. For regular updates, sign up for our weekly email newsletter and follow us @NotebookMUBI.NEWSBreak no.1 & Break no.2..The lineups for select sections of the 2024 editions of the Berlinale and International Film Festival Rotterdam have been unveiled, with films from Panorama, Forum, Forum Expanded, Generation, and Berlinale Special announced for the former, and the Tiger and Big Screen competitions at the latter. In Berlin, so far, we are excited by the prospect of new films by Jane Schoenbrun (We’re All Going to the World’s Fair) and Jérémy Clapin (I Lost My Body), whereas in Rotterdam, we have our eye on new work by Madeleine Hunt-Ehrlich and Lei Lei. As the year comes to a close, the Best of 2023 lists keep coming. Sight & Sound shared the seventh edition of their always-interesting poll of the best video essays of the year,...
- 12/20/2023
- MUBI
Her feature debut We’re All Going to the World’s Fair (2021) was an official Sundance selection (pandemic edition) but everything indicates that Jane Schoenbrun could see her sophomore item get a proper in-person showcase. I Saw the TV Glow moved into production in July of last year with a cast of hip artists such as Justice Smith and Brigette Lundy-Paine toplining and notables supporting players such as Helena Howard, Danielle Deadwyler, Phoebe Bridgers and yes even Fred Durst. A Thousand and One cinematographer Eric K. Yue teamed with Schoenbrun on this project.
Gist: Two teenagers bond over their love of a television series; after it is mysteriously cancelled, their reality begins to blur.…...
Gist: Two teenagers bond over their love of a television series; after it is mysteriously cancelled, their reality begins to blur.…...
- 11/12/2023
- by Eric Lavallée
- IONCINEMA.com
Film is repped by Montreal-based H264.
Utopia has acquired US rights to Pascal Plante’s cyber thriller Red Rooms, which has also been picked up by distributor La Aventura in Spain.
Red Rooms world premiered in Karlovy Vary’s Crystal Globe competition in July and then had its North American premiere as the opening film of the Fantasia International Film Festival where it won five awards including best feature.
The film follows a tech-savvy overachiever who becomes obsessed with the high-profile trial of a serial killer.
Red Rooms is repped by Montreal-based movie distributor and aggregator H264 which launched a new sales division in June.
Utopia has acquired US rights to Pascal Plante’s cyber thriller Red Rooms, which has also been picked up by distributor La Aventura in Spain.
Red Rooms world premiered in Karlovy Vary’s Crystal Globe competition in July and then had its North American premiere as the opening film of the Fantasia International Film Festival where it won five awards including best feature.
The film follows a tech-savvy overachiever who becomes obsessed with the high-profile trial of a serial killer.
Red Rooms is repped by Montreal-based movie distributor and aggregator H264 which launched a new sales division in June.
- 9/4/2023
- by Tim Dams
- ScreenDaily
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSOn July 13, SAG-AFTRA issued a strike order, joining the WGA, who have been striking since May. In an incendiary speech, the guild’s president, Fran Drescher, said: “SAG-AFTRA negotiated in good faith and was eager to reach a deal that sufficiently addressed performer needs, but the AMPTP’s responses to the union’s most important proposals have been insulting and disrespectful of our massive contributions to this industry…Until they do negotiate in good faith, we cannot begin to reach a deal.” This Vulture Q&a with Jonathan Handel, author of Hollywood on Strike!: An Industry at War in the Internet Age, delves into the details of the work stoppage.Applications are open for Open City Documentary Festival & Another Gaze’s third annual critics’ workshop, which will take place in early September during the festival.
- 7/19/2023
- MUBI
Ariel Kavoussi, whose acting credits include Netflix’s “Maniac,” Prime Video’s “The Marvelous Mrs. Maisel” and film “Catfight,” has wrapped her feature directorial debut “The Next Big One: A Comedy with Three Potential Problems.”
In this dystopian sci-fi black comedy, a high-ranking employee at an omnipotent tech firm must help her depressed, activist brother move into their aunt’s house while a hurricane threatens New York city. Principal photography wrapped in Brooklyn, New York. Kavoussi previously directed shorts and some TV.
The lead cast includes Molly Bernard (“Younger”), David H. Holmes (“The Penguin”), Deborah Rush (“Strangers with Candy”) and Kevin Corrigan (“The Get Down”).
The ensemble supporting cast includes Maria Dizzia (“Orange is the New Black”), Josh Pais (“The Dropout”), Paul Lazar (“Silence of the Lambs”), Max Casella (“Tulsa King”), Craig Bierko (“UnREAL”), Catherine Curtin (“Stranger Things”), Matt Walton (“No Hard Feelings”) and emerging stars Victoria Villier (2021 Fantasia Film...
In this dystopian sci-fi black comedy, a high-ranking employee at an omnipotent tech firm must help her depressed, activist brother move into their aunt’s house while a hurricane threatens New York city. Principal photography wrapped in Brooklyn, New York. Kavoussi previously directed shorts and some TV.
The lead cast includes Molly Bernard (“Younger”), David H. Holmes (“The Penguin”), Deborah Rush (“Strangers with Candy”) and Kevin Corrigan (“The Get Down”).
The ensemble supporting cast includes Maria Dizzia (“Orange is the New Black”), Josh Pais (“The Dropout”), Paul Lazar (“Silence of the Lambs”), Max Casella (“Tulsa King”), Craig Bierko (“UnREAL”), Catherine Curtin (“Stranger Things”), Matt Walton (“No Hard Feelings”) and emerging stars Victoria Villier (2021 Fantasia Film...
- 7/18/2023
- by Naman Ramachandran
- Variety Film + TV
Dear Producer, founded by producer Rebecca Green, has announced the four recipients of its 2023 Dear Producer Award, now in its second year. IndieWire shares the recipients exclusively below.
Each producer will receive an unrestricted grant of $50,000, attend a retreat focused on rest and community building, and commit to mentoring an emerging producer for one year. This award is part of Dear Producer’s ongoing commitment to amplify the role of the producer and provide the independent film community with resources to build a more sustainable future.
The Dear Producer Award is sponsored by Facet, founded by Maida Lynn, which embraces creative non-fiction filmmaking by visionary artists.
Green noted the timeliness of this award in a statement shared with IndieWire: “With the WGA strike underway, producers are confronted with the harsh reminder that unlike their collaborators, producers do not have minimum salary protections, healthcare or pension contributions, or residuals.”
A Producers Sustainability Survey,...
Each producer will receive an unrestricted grant of $50,000, attend a retreat focused on rest and community building, and commit to mentoring an emerging producer for one year. This award is part of Dear Producer’s ongoing commitment to amplify the role of the producer and provide the independent film community with resources to build a more sustainable future.
The Dear Producer Award is sponsored by Facet, founded by Maida Lynn, which embraces creative non-fiction filmmaking by visionary artists.
Green noted the timeliness of this award in a statement shared with IndieWire: “With the WGA strike underway, producers are confronted with the harsh reminder that unlike their collaborators, producers do not have minimum salary protections, healthcare or pension contributions, or residuals.”
A Producers Sustainability Survey,...
- 6/5/2023
- by Ryan Lattanzio
- Indiewire
Dweck Productions has joined Joel Potrykus’ upcoming dark comedy feature “Vulcanizadora” which will star Joshua Burge.
“Vulcanizadora” will be written and directed by Potrykus, marking his fifth feature and fourth collaboration with Burge following “Ape,” “Buzzard” and “Relaxer.” Plot details for the feature have been kept under wraps with production commencing this summer in Michigan. Dweck joins the project as both producer and financier.
“‘Vulcanizadora’ is a mind bending ride of comedy, suspense and utter devastation, and we are thrilled to be producing the bold and daring fifth feature of the great Joel Potrykus,” said Dweck founder Hannah Dweck. “This is the exact type of boundary pushing, genre bending film we love to help bring to the screen. We can’t wait to watch this with an audience.”
Matt Grady, founder of independent film production and distribution company Factory 25, will produce “Vulcanizadora” alongside Ashley Potrykus and Dan Berger.
“I...
“Vulcanizadora” will be written and directed by Potrykus, marking his fifth feature and fourth collaboration with Burge following “Ape,” “Buzzard” and “Relaxer.” Plot details for the feature have been kept under wraps with production commencing this summer in Michigan. Dweck joins the project as both producer and financier.
“‘Vulcanizadora’ is a mind bending ride of comedy, suspense and utter devastation, and we are thrilled to be producing the bold and daring fifth feature of the great Joel Potrykus,” said Dweck founder Hannah Dweck. “This is the exact type of boundary pushing, genre bending film we love to help bring to the screen. We can’t wait to watch this with an audience.”
Matt Grady, founder of independent film production and distribution company Factory 25, will produce “Vulcanizadora” alongside Ashley Potrykus and Dan Berger.
“I...
- 5/22/2023
- by McKinley Franklin
- Variety Film + TV
Bret Easton Ellis’ latest novel “The Shards” goes where only Bret Easton Ellis could possibly go: back to 1981 Los Angeles with a 600-page book, largely unedited, that’s mostly about himself.
That’s partly because the main character is named Bret, a nihilistic, 17-year-old, bisexual San Fernando Valley trust-fund prep-school brat who’s writing a book called “Less Than Zero.” Yes, this is literary-horror autofiction from the author of that aforementioned 1985 debut and shocking postmodern novels like “American Psycho.”
“The Shards” is also a more-or-less direct transcript of the Patreon serial Ellis launched in late 2020, and its unwieldiness means it’s well-matched for a long-form, flashy series adaptation at HBO. As IndieWire has confirmed, “The Shards” is now being set up at the premium cabler with Ellis as the sole writer while executive producing with Nick Hall (Emmy-winning executive producer on “The White Lotus”) and Brian Young (an executive producer...
That’s partly because the main character is named Bret, a nihilistic, 17-year-old, bisexual San Fernando Valley trust-fund prep-school brat who’s writing a book called “Less Than Zero.” Yes, this is literary-horror autofiction from the author of that aforementioned 1985 debut and shocking postmodern novels like “American Psycho.”
“The Shards” is also a more-or-less direct transcript of the Patreon serial Ellis launched in late 2020, and its unwieldiness means it’s well-matched for a long-form, flashy series adaptation at HBO. As IndieWire has confirmed, “The Shards” is now being set up at the premium cabler with Ellis as the sole writer while executive producing with Nick Hall (Emmy-winning executive producer on “The White Lotus”) and Brian Young (an executive producer...
- 4/18/2023
- by Ryan Lattanzio
- Indiewire
Limited theatrical release planned for May.
Cinedigm has acquired North American rights to Fantasia International Film Festival road movie Giving Birth To A Butterfly, which marks the feature directorial debut of Theodore Schaefer who produced Berlinale selection The Adults.
Annie Parisse plays a woman whose identity gets stolen and bonds with her son’s pregnant girlfriend (Gus Birney) as they search for the perpetrators on a dreamlike road trip. Paul Sparks, Owen Campbell, Jessica Pimentel, and Judith Roberts round out the key cast.
Cinedigm plans a limited US theatrical release in May ahead of a digital release on its indie...
Cinedigm has acquired North American rights to Fantasia International Film Festival road movie Giving Birth To A Butterfly, which marks the feature directorial debut of Theodore Schaefer who produced Berlinale selection The Adults.
Annie Parisse plays a woman whose identity gets stolen and bonds with her son’s pregnant girlfriend (Gus Birney) as they search for the perpetrators on a dreamlike road trip. Paul Sparks, Owen Campbell, Jessica Pimentel, and Judith Roberts round out the key cast.
Cinedigm plans a limited US theatrical release in May ahead of a digital release on its indie...
- 4/11/2023
- by Jeremy Kay
- ScreenDaily
In case you missed it, director Dutch Marich‘s 2021 found footage chiller Horror in the High Desert is a little-known gem that has recently been generating some well-deserved word of mouth among fans of the subgenre. Though found footage remains a subgenre maligned by many, now and then, a filmmaker manages to bring out the best in the format–exploring effective scares, unsettling imagery, and intriguing stories in new and inventive ways. Horror in the High Desert is a prime example of this ingenuity. While the story initially unfolds how a run-of-the-mill spooky docuseries might, the final 10 minutes of the film deliver an equally curious and bone-chilling turn that solidifies Marich’s world firmly in the realm of high strangeness.
If Marich’s microbudget film resonated with you as much as it did me, you have likely already rushed to check out Horror in the High Desert 2: Minerva, which...
If Marich’s microbudget film resonated with you as much as it did me, you have likely already rushed to check out Horror in the High Desert 2: Minerva, which...
- 4/4/2023
- by Ari Drew
- bloody-disgusting.com
We’re all going down the yellow brick road for this whimsical take on Lucy Dacus’ “Night Shift.”
In honor of the Boygenius musician’s five-year album anniversary for “Historian,” hit breakup ballad “Night Shift” lands a long-awaited music video helmed by “We’re All Going to the World’s Fair” director Jane Schoenbrun and starring “Scream VI” breakout star Jasmin Savoy Brown.
Dacus appears in the music video as a motel manager on the night shift while a “Wizard of Oz”-themed party takes place around her. Brown plays Dorothy, who is missing one of her red ruby platform boots that Dacus fishes out from the hotel pool.
“Made with love,” director Schoenbrun tweeted, along with the credits for the short film, co-starring Phoebe Bridgers, Dacus’ fellow Boygenius band member.
Bridgers is also set to appear in Schoenbrun’s upcoming TV series “I Saw the TV Glow,” produced by A24. Justice Smith,...
In honor of the Boygenius musician’s five-year album anniversary for “Historian,” hit breakup ballad “Night Shift” lands a long-awaited music video helmed by “We’re All Going to the World’s Fair” director Jane Schoenbrun and starring “Scream VI” breakout star Jasmin Savoy Brown.
Dacus appears in the music video as a motel manager on the night shift while a “Wizard of Oz”-themed party takes place around her. Brown plays Dorothy, who is missing one of her red ruby platform boots that Dacus fishes out from the hotel pool.
“Made with love,” director Schoenbrun tweeted, along with the credits for the short film, co-starring Phoebe Bridgers, Dacus’ fellow Boygenius band member.
Bridgers is also set to appear in Schoenbrun’s upcoming TV series “I Saw the TV Glow,” produced by A24. Justice Smith,...
- 3/8/2023
- by Samantha Bergeson
- Indiewire
For the fifth anniversary of her acclaimed sophomore LP Historian, Lucy Dacus has released a new video for the album’s cathartic opener, “Night Shift.” The clip comes ahead of a special red vinyl reissue of Historian, which will be out May 26th via Matador.
Starring Dacus and Yellowjackets star Jasmin Savoy Brown, the video was directed by Jane Schoenbrun (We’re All Going to The World’s Fair) and was filmed with a number of Dacus’ friends, including Liza Anne and E.R. Fightmaster. With symbolic references to The Wizard of Oz, it captures the uplifting spirit of strength and self-acceptance for which the tune has become so loved.
When the video reaches the song’s booming climax and Dacus’ croon repeats the refrain, “In five years I hope the songs feel like covers/ Dedicated to new lovers” over visuals of Dacus and Brown finding each other in the crowd, it’s...
Starring Dacus and Yellowjackets star Jasmin Savoy Brown, the video was directed by Jane Schoenbrun (We’re All Going to The World’s Fair) and was filmed with a number of Dacus’ friends, including Liza Anne and E.R. Fightmaster. With symbolic references to The Wizard of Oz, it captures the uplifting spirit of strength and self-acceptance for which the tune has become so loved.
When the video reaches the song’s booming climax and Dacus’ croon repeats the refrain, “In five years I hope the songs feel like covers/ Dedicated to new lovers” over visuals of Dacus and Brown finding each other in the crowd, it’s...
- 3/8/2023
- by Jo Vito
- Consequence - Music
“Everything Everywhere All at Once” continues its strong awards season performance by pulling off an impressive sweep at the 14th Annual Dorian Awards. The Dorians are bestowed by Galeca: The Society of LGBTQ Entertainment Critics, a group of over 400 critics, journalists, and media icons. A24’s multiverse-jumping family drama scored seven wins, a victory in every category for which it was nominated.
“Everything Everywhere” snatched the coveted Film of the Year title, while creative duo Daniel Kwan and Daniel Scheinert co-won both best director and best screenplay honors. In Galeca’s gender neutral acting races, Michelle Yeoh seized Performance of the Year and Ke Huy Quan edged out two of his costars for Supporting Performance. Though Stephanie Hsu lost the supporting race, the critics group did name her their Rising Star of the Year. The movie also won LGBTQ Film of the Year and Visually Striking Film of the Year.
“Everything Everywhere” snatched the coveted Film of the Year title, while creative duo Daniel Kwan and Daniel Scheinert co-won both best director and best screenplay honors. In Galeca’s gender neutral acting races, Michelle Yeoh seized Performance of the Year and Ke Huy Quan edged out two of his costars for Supporting Performance. Though Stephanie Hsu lost the supporting race, the critics group did name her their Rising Star of the Year. The movie also won LGBTQ Film of the Year and Visually Striking Film of the Year.
- 2/23/2023
- by Sam Eckmann
- Gold Derby
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