Wee Lin's Blog

Few things will get me through a dull day quite like a good game soundtrack. It’s the perfect antidote to the crippling banality of office small talk.

I thought I’d share a few of my favourite soundtracks here, starting with my current weapon of choice – an FMV horror/puzzle fest known as The 7^th Guest.

(Click here for 7th Guest soundtrack via YouTube link. Or just look it up yourself – it’s all good)

 

This game came into my life via ‘The Sleepover’ – a different kind of game that you might have played yourself. It was set in a friend’s house and the sole object was to stay up all night (technically it was a local multiplayer strategy played in real time.) You’d need three things: 1 – Jammies (obviously) 2 – An obscenely large quantity of junk food and 3 – Entertainment, preferably videos or any available games console. My friend Kirsty had a Philips CDi – a curious gadget that played games and movies on compact discs. In those days, this was considered ‘witchcraft’.

 

 

When we weren’t sliding down stairs in sleeping bags or attempting to get through a few seconds worth of Dragon’s Lair 2 (borderline impossible, especially with the CDi’s weird remote control device), we’d be pulling an all-nighter on The 7^th Guest. And oh, how that game intrigued us! It gave us a pre-rendered 3D haunted house to explore, real humans acting out dramatic scenes (albeit terribly) and – best of all – a ‘15’ certificate on the box, which meant there HAD to be something rude in there if we looked hard enough.

 

 

 

The game turned out to be a bit of a let down in the smut department (I’m sure anyone who played Night Trap experienced similar disappointment) but it still had plenty on offer for a trio of excitable youngsters high on sugary snacks. We got a cool story about a creepy toymaker called Mr Stauf (geddit? It’s an anagram of Faust), the thrill of unlocking and exploring new rooms and numerous bits that were simultaneously unsettling and hilarious. Red Balloon man, we salute you!

 

Here’s where I finally get around to discussing the soundtrack, which was supposed to be the point of this post anyway. This was the very first game score I heard on CD, which allowed for ‘proper’ songs with lyrics and singers and shit. The fact that the soundtrack came on its own separate disc meant something else too – people wanted to listen to the music, even when they weren’t playing the game. As a kid who’d already put several game soundtracks on tape using a portable cassette recorder, I felt validated. Apparently there were people out there who were as weird as me.

 

 

The CD starts with a classic gothic horror overture complete with pipe organs, bells and the foreboding tones of a Latin choir (at least I think it’s Latin. I don’t speak Latin so I’m not sure.) The rest is bookended by two full songs, both enjoyable in their own ways. The first is “The Game”, which has a wonderful brooding/grungy feel to it. Would you believe this was made in 1993? The lyrics retell the in-game story while conveying the mood, almost like a precursor to the channel Miracle of Sound (highly recommended). “The Game” uses a melody that’s heard in various forms throughout The 7^th Guest, most memorably in a Simon-style mini-game (a.k.a. “That Bloody Piano”). There was no margin for error during this 18 sequence-long puzzle – screw up once and it was straight back to the start with you. Curse you, Mr Stauf!

 

 

The closing number is “Skeletons In My Closet”, which played over the end credits (or so we believed – try as we might, we never actually got that far). It’s a camp, jazzy little ditty that fits nicely with the 1930s/40s setting in which the action takes place. Actually, that should be “took place” – the actors appear as ghosts reliving moments from the night they died while the players controls a disembodied spirit trying to make sense of the events. Cool, huh? Dig those backing vocals too – they don’t make ‘em like that anymore!

 

 

The in-game music does a fantastic job creating an air of suspense, mystery and spooky goings-on. I think it’s a real testament to the game’s score that it managed to keep us going through the puzzle sequences because, trust me, some of those took an age to solve. The CD soundtrack provides a nice sample of each track peppered with a few dramatic music stings and (oh joy!) voice clips. Fans of bad FMV acting are in for a treat. You can practically taste the ham.

 

Maybe it’s the nostalgia bug or maybe it’s my undying love of cheesy horror but The 7^th Guest soundtrack is one I’m glad I revisited. It was composed by George “The Fat Man” Sanger, whose other credits include Wing Commander, Zombies Ate My Neighbours and… what’s this? A sequel to The 7^th Guest called The 11^th Hour? I might just have to check that out…

… and a fan-made third game in the works called The 13^th Doll? My cup runneth over!