HANNAH MOORE ADV
TABLE CONTE 06
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160 E Bay St Charleston, SC 29401
211 E Moore Ave Tampa, FL 33603
TELLURIDE BOTANICAL GARDENS Telluride, CO 81435
ADVANCED DESIGN | COMPREHENSIVE
ADVANCED DESIGN
ADVANCED DESIGN
summer 2019
spring 2020
FALL 2019
levent kara | thomas goodwill
paul robinson
STANLEY RUSSELL
LE OF TENTS 70
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4100 Starkey Blvd CASABLANCA, HAVANA, CUBA 355 N WASHINGTON DR New Port Richey, FL 34655 ADVANCED DESIGN | URBAN Sarasota, FL 34236 FLORIDA LANDSCAPE SEMINAR
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photography
TROPICAL ARCHITECTURE
summer 2019
SPRING 2019
summer 2020
fall 2019
NANCY SANDERS
JAN WAMPLER
MICHAEL HALFLANTS
william douglas
160 E Bay St Charleston, SC 29401 ADVANCED DESIGN | COMPREHENSIVE
summer 2019 levent kara | thomas goodwill
FACADE SYTEM 160 E BAY
DETAIL 1
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DETAIL 1
SECOND FLOOR
In orde to creat a coneti with e th soutdr and a esiv coh tinglh ef ct in e th buildng, a supend brick screnig stemy apswr e th buildng in alvers ares. The tinglh is softend in e th xe ible eatr/glyh space so ath art does not get to much direct tsunligh and e th amount of tligh is oledcntr during use as a presn taion space. -
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sumer 2019
DETAIL 1 ADVANCED DESIGN |
211 E Moore Ave Tampa, FL 33603 ADVANCED DESIGN
spring 2020 paul robinson
aterial exercises in
material,
process
& form
Prior to the discovery of our site, we engaged in a series of exercises designed to explore new materials, processes and relationships between forms. This began with x rays of ordinary objects (top left).
translations
of the 2d
The 2-d x rays were transformed into 3-d objects (above) that were meant to explore relationships between two different materials and how those materials could become armatures to one another. The 3-d objects extracted from the x rays were then translated back into 2-d by creating a cyanotype from the shadows the new object casted (top right). The cyanotype was then painted on to create texture and relief, moving back into the realm of 3-d (bottom right). 22
tran
translation
of the 3
anslations
tions
3d
ROBLES AR P K ZION CEMETERY Zion Cemetery was established in 1901 in Tampa, FL. It is believed to be Tampa’s first all-black burial ground and has been systematically disappearing from records since the late 1920’s. In 1951, while construction crews were building the white-only Robles Park apartments on the same land as the cemetery, they uncovered three caskets. After this discovery, there was an article written about the caskets but the developers never made any attempt to search for more graves. The Tampa Bay Times did a special report in June of 2019 questioning the whereabouts of the bodies from Zion Cemetery because there was no concrete documentation of where they were moved and when the relocation would have happened. Once the story gained recognition and concern from the community, ground penetrating radar was used to survey the suspected location of the graves. 314 Zion caskets have been discovered. The archaeologists estimate that around 850 people were interred at Zion, many were buried without caskets (making them undetectable using ground penetrating radar).
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There are five Robles Park apartment buildings built on top of graves from Zion Cemetery. The land was formerly owned by the African American developer Richard Dolby until in 1926, two white developers took it over; Henry P. Kennedy
and Hewitt Walker. In 1929, Kennedy took advantage of the land status being a cemetery to be exempt from the taxes he owed on the property. But in the same year, he built a storefront on the property. Due to the startling revelations and findings about the existence of graves underneath Robles Park, the Chief Operating Officer of the Tampa Housing Authority, Leroy Moore, stated that the 30 families living in the Robles Park apartments were going to be moved to different housing. The apartments will eventually be torn down and the housing authority plans on restoring the land to become a memorial park. In the time after families have moved out, and before the buildings are torn down, these abandoned domestic settings became the site for our interventions.
Guzzo, Paul. “Nearly 400 People Buried in Tampa Are Missing. What Happened to Zion Cemetery?” Tampa Bay Times, 2019, www.tampabay.com/florida/2019/06/23/nearly-400-people-buried-in-tampaare-missing-what-happened-to-zion-cemetery/. Schreiner, Mark. “Zion Cemetery: What’s Happened So Far And What’s Next.” WUSF News, 2019, wusfnews.wusf.usf.edu/post/zion-cemeterywhats-happened-so-far-and-whats-next.
FORCED ABANDONMENT &
DETRITUS
Our method of investigating these abandoned apartments was primarily the use of a radiograph to capture x rays of the detritus found in the units. These objects were ordinary items that revealed the evidence of former occupation and the state of them hinted at the forced abandonment. The items were unwanted, broken and strewn about the empty units.
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We worked together to methodically set up grids and test different strengths and distances to create larger x rays that are full scale indexes of the items.
37°56’28”N 107°48’42”w 211 E MOORE AVE, TAMPA, FL 33603
211 e moore
ADVANCED DESIGN
spring 2020
Robles aP rk consits of many buildings that look the same. The units mirror each other and all have the same measurements. We could nd individuality within each repeated unit based on the character of the items left behind. Some units contained more items than others, and one of the units we extracted several x rays from was unit 211 on E Moore. The images shown were all captured in this unit.
211 E MOORE
OBJECTIFYING
VIOLENCE
I chose the x-ray of the door. It has qualities that express the violence inherent in the site of a forgotten cemetery. The hole in the door is a sign of violence and a sign of inhabitance in an abandoned place. In these preliminary investigations, I was expressively exploring the idea of violence by using the form and proportions of the hole in the door. I was giving form to something formless.
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211 E MOORE
In order to investigate further the contents of the xray itself, I began a process of painting and scraping on a full scale print out of the x-ray. This was a way of acting out the presence of violence in the object and the site (left).
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The drawing and collage are a 3-d imagined analysis of the significant formal parts of the object. They reveal recognizable aspects of the form without becoming a replica of the x-ray. This begins to take shape as the artifact (above and right).
211 E MOORE
An artifact is held within a reliquary. The reliquary is recalling the form of the existing architecture in order to memorialize the forced abandonment that the people of Robles Park experienced. Violence of erasure exists in this site because of the purposeful concealment of the truth of the cemetery. The material of the reliquary became frosted and reflective glass in order to begin to conceal the artifact held within. The ground carves away to hold the reliquary. This unites two worlds that were previously at odds with one another. The memory of Zion faded just as the glass allows the reliquary to fade into the landscape. 38
DISPLACEMENT DISPLACEMENT DISPLACEMENT DISPLACEMENT DISPLACEMENT DISPLACEMENT
211 E MOORE
1 EXISTING BUILDINGS 2 DISPLACEMENT OF RELIQUARY
This plan and diagram show the displacement of the original location of the artifact and the unit it was found in. A spatial relationship is created through the displacement between the footprint of the existing buildings and the reliquary. The relationship is a spatial manifestation of the displacement of the residents of Robles Park. It can also be seen as a spatial move that signifies the rediscovery of meaning in the site. The shift in location shows the shift from a lack of knowledge to an uncovering of knowledge.
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DISPLACEMENT
DISPLACEMENT
SPRING 2020 PAULROBINSON
ADVANCED
FINAL PLAN
211 E MOORE
The artifact itself objectifies the evidence of violence. The materials that hold the pieces are tied with the structure of the reliquary and mimic the proportions of the doorway. It makes indentations in the ground and can only be experienced from the ground. It maintains the location of the second floor bedroom but you can only see it from a different perspective. The change in perspective formalizes the drastic transformation in significance of the site. The experience of walking through a door, or a threshold is now at a larger scale. You can pass through the reliquary and occupy it. You exist within the moment of transition and pass through to the present. 42
TELLURIDE BOTANICAL GARDENS Telluride, CO 81435 ADVANCED DESIGN
FALL 2019 STANLEY RUSSELL
IDE
FALL 2019
TELLURIDE ADVANCED DESIGN
BOTANICAL GARDENS
This project began with abstract constructs in order to experiment with diferent kinds of architectural proceses. Our site was located on a steep base of a mountainside in Telluride, Colorado and the program was a Botanical Gardens. It included a main welcome center with a library, gallery, cafe, education space, event space and ofces. I created a main iconic space for this part of the program in order to create a cohesive experience at the base of the site before occupants begin to wander within the gardens and climb the steep mountain. Dispersed within the site are several greenhouses and observation towers that make circulation up the mountain easier and more experiential. At the top of the site, there is a public gathering place, an outdoor amphitheater, and a more private space, a meditation spa. The gardens weave through the built architecture of the site and bleed out into the landscape.
Telluride, CO 81435
37°56’28”N 107°48’42”w
FALL 2019
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ADVANCED
FALL 2019 STANLEY RUSSELL
RAISED PERSPECTIVES
CIRCULATION
GARDENS AND WATER The botanicl gardens spread out into e th landscpe and captured e th olewh site to creat an xperintal yjourne up e th mountai. In es th aisedr spectivr awings,dr e th difernt parts of e th amogrp are labed (left). The cirulaton aisedr spectivr owsh e th ontalzrih cirulaton in e th site with e th colr yelow and e th intero cirulaton is in red (top left). The main gardens adlecr e th built intervos and creat a peacful er atmosph with e th ationcrp of water elmnts outghr e th landscpe (top t).righ
ADVANCED
1
FALL 2019
2
road trip fall 2019 Denver, Aspen, Telluride, Durango, Taos, Santa Fe, Albuqerque
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2
ADVANCED
TELLURIDE BOTANICAL GARDENS
PROCE 58
FALL 2019 STANLEY RUSSELL
This project began by exploring different kinds of processes and thinking about how to translate these abstract ideas into spatial ideas and architectural forms. We started with dense drawings based on various aerial photographs of significant places we traveled to on our class trip. The complex drawings became block prints, then we used the hand made printing blocks to construct a model to approach the spatial ideas in the drawings. After the more conceptual printing block model, the program was introduced. The program inspired subsequent models to refine spatial ideas and relationships.
ESS
ADVANCED
FALL 2019
Detailed and holistic views of the printing block model show how the complex spatial drawing becomes a 3-d object in real space. ADVANCED
FALL 2019
After the program was introduced, a spatial construct was imposed onto the slope of the site. This was a mode without scale so that we could still loosely interpret the forms. Then a larger model was created to further the design at 1�=20’.
ADVANCED
TELLURIDE BOTANICAL GARDENS
WELCOME CEN The welcome center creates a large, impressive space to take care of many related parts of the program. This building is fully enclosed so that during colder months, the Colorado climate will not prevent use of the botanical gardens. This building includes a library, gallery, cafe, education space, event space and offices.
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FALL 2019
This study model was built back and forth with the digital model in order to further develop the design. Unlike the 1�=20’ scale model, this hanging model eliminates the requirement for an overbearing topology material. It was an attempt to carve the ground by implying where it must be. ADVANCED
4100 Starkey Blvd New Port Richey, FL 34655 FLORIDA LANDSCAPE SEMINAR
summer 2019 NANCY SANDERS
HEARTWOOD PRESERVE
4100 STARKEY BLVD
O FL RIDA LANDSCAPE SEMINAR PROFESSOR NANCY SANDERS
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| SUMER 2019
florida landscape
BEAUTYBERRY PALMETTO WIREGRASS BLAZING STAR The four main plants that make up the underbrush of Heartwood Preserve.
CASABLANCA, HAVANA, CUBA ADVANCED DESIGN | URBAN
SPRING 2019 JAN WAMPLER
CUBA
mac
hannah Moore elizabeth acosta marquessa chirhart
Green paths function as linear gardens for locals to use for their homes or shops. Pedestrian pathways are an alternative to the many methods of public transportation that give people agency to travel safely and pleasantly. A busy and scenic arcade of storefronts provides a public path for people to hang out. Directly adjacent to the arcade, a serene forest provides a buffer from the water that often has harsh waves. The sustainability of our village is important to the overall as it is completely integrated. A farm for exporting food is at the top of the hill along with a solar panel farm and wind turbines. Passive cooling methods and generous outdoor spaces in buildings connect people to the environment and to their community spaces. Our community is organized around the idea of teaching skills related to sustainability in community centers that divide each neighborhood. Therefore, the framework of Casa Blanca is based upon sustainable principles.
Spring 2019 trip to Cuba
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ECT MODEL
NG IGN
CUBA
A HOUSE FOR MARTA
Marta is a daughter, sister, mother, grandmother, great-grandmother, and friend. She has a loving family , yet she still spends most days alone. Her son works and her great-granddaughter goes to school, while most of her cousins have moved to America. She spends her days trying to find things to do to pass the time. Her neighbor, who she considers like a daughter, spends some of the day with marta. A few years ago, marta’s home was reconstructed; originally being a wood house, it is much more durable now that it is made out of concrete. She was able to receive help and add in her own touch to the design. She moved her backyard bathroom indoors, and made her two bedrooms a little bigger, unfortunately causing the space of her living room and front porch to decrease. After the renovations, she still lacks a space for entertaining her family members and neighbors.
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During the talk we had with Marta, we concluded that we wanted to improve her daily life by providing shareable spaces to interact with her neighborhood. We are relocating her on a road that is more traveled and active, near the waterfront. She was very welcoming to us when we visited her, so this will allow her more chances to bring in new friends. She will have a porch she can share immediately with her neighbor, making it easier for them to sit outside and conversate. People can walk through the public paths along her house, however she still has a private back porch for more quiet moments. A master bedroom and two guest bedrooms are being added. Marta has a room dedicated for her great-granddaughter, so an extra room is nice for more activity. Marta loves to sew and has made several outfits for her great-granddaughter. This extra room can be utilized to host sewing workshops, to teach anyone in the neighborhood how to sew or to have community sewing gatherings. This room will have its own entrance, apart from the rest of the home. In her neighborhood, there are more public courtyards and green spaces that are adequate for the children’s playing needs, like her great-granddaughter, and to have the accessibility to connect more with the people. We hope these modification will make her days a little more enjoyable, providing these moments for private and public interactions.
path in between houses
SPRING 2019
ENHANCE CONNECTIONS marta’s house
ADVANCED DESIGN |
SPRING 2019
1”=16’ At 1”=16’, our design was tested by requiring more detail than at any other scale. The main plazas are given purpose and more deliberate characteristics define each one. Several different scales of spaces are also explored to break up the in between space. Large paved plazas with water, garden plazas, and small lovers spaces are the main categories of space that provide a rhythm or melody within the framework. A reflecting pool holds the space of the plaza together and provides cooling qualities (left). Screens divide buildings and create lovers spaces underneath (right).
ADVANCED DESIGN |
CUBA
P A V E D
P U B L I C
P A T H
LOVER’S SPACE
M E D I U M G R E E N 94
P A T H
G R E E N
C O U R T Y A R D
SPACE
BETWEEN
CUBA
elizabeth acosta
ELEVATION 96
SPRING 2019 JAN WAMPLER
In these elevation models, private and public distinctions are explored in three dimensional form. Light is manipulated through screens and color of material is used to break up the facade. Different kinds of openings are used to create a more dynamic push and pull along with balconies that face each other to facilitate community. The idea of an arcade is introduced to provide another kind of public space.
hannah Moore
marquessa chirhart
STUDIES ADVANCED DESIGN | URBAN
del
SPRING 2019
mixed use arcade and main street (below) path leading to a main courtyard (left)
Surrounded by plants and populated by people, the spaces in between are where life really happens. Balconies that face one another and front steps for people to rest on allow the resident CasaBlanca to communicate with one another. Vegetation- pro vides separation between paths and private spaces and people can safely walk or ride bicycles in the space between. Clothe hanging from balconies and house plants that are well-tended are evidence of people living real lives in a busy village. Arca provide a separation for locals/tourists to walk along the shop and for cars/bikers to utilize the road. The arcades provide safe ty, while dening the space of both forms of travel. ADVANCED DESIGN |
355 N WASHINGTON DR Sarasota, FL 34236 TROPICAL ARCHITECTURE
summer 2020 MICHAEL HALFLANTS
355
n was
355 n TROPICAL ARCHITECTURE
scan to view flythrough
shingto n dr
summer 2020
washington dr
This course was an elective that studied passive cooling strategies in a tropical latitude. We applied what we learned into the design of a- single-f ily residence. My residence contains gathering spaces and spaces- for intr spection and reection. A strong connection to the environment and exible enclosures provide a cohesive island-living style home. This residence located on St Armands eK y has 3 spacious bedrooms with - am ple natural light and privacy. There is a generous master bedroom overlooki the backyard. Gathering spaces, both conditioned and unconditioned are bathed in natural light and skylights to connect the family and guests t outdoors. These gathering spaces are interspersed throughout the house t provide many options for different uses and times of the year. Inside, the room is double heighted to enhance the experience. On the roof, the livi space is shaded in a screening system and open to the breeze.
355 N Washington Dr, Sarasota, FL 34236
27°19’15”N 82°34’47”w
photography
fall 2019 william douglas
“PINK LADY” STILL LIFE 1 SERIES
“POST” STILL LIFE 2 SERIES
“GREEN” (TOP), “PINK” (BOTTOM) STILL LIFE 2 SERIES
“WIRE” (RIGHT), “3 PINK LEAF” (LEFT) STILL LIFE 2 SERIES
“PRE” STILL LIFE 2 SERIES
“LIGHT” STILL LIFE 1 SERIES
“BLUE” STILL LIFE 1 SERIES
SELECTIONS FROM THE LYRICAL SERIES
hannah moore
hmoore2@usf.edu (904) 514-7862