Huaraches in Zamora, Michoacan

Huaraches in Zamora, Michoacan mainly come from Sahuayo that is located only a few hours west. However there were 2 styles from Sahuayo that I had not seen before.

These black ones are a wide strip twist on the `Cruzado´ style.

This ‘Petatillo’ Huarache was dyed with motor oil and quite similar to another pair I picked up in Sahuayo.

Huaraches sold in Zamora 

There were also 2 local styles that are made at a local ‘rancho’ which I found very interesting for their weave and toe shape.

Notice the heel piece construction is external like Burras.


Kroto Huaraches.

I found these interesting huaraches for sale on the internet at:

www.myvintagewear.com

http://www.myvintagewear.com/servlet/the-5252/vintage-shoes%2C-vintage-sandals%2C/Detail

I’m not sure of their origins except that they were made in Mexico.


The weave construction reminds me of a style of Huarache that I found in Chiapas.


Huaraches Nube Magazine Article. ‘La curtiduria en Huajaupan. Arte en el olvido’.

The March 2010 edition of Mexican lifestyle magazine nube did a long article and wrote an editorial piece on the Tanning and Huarache industry in Huajuapan. This article offers a brief yet good insight into the history and the modern day reality of the Huarache craft in Mexico.

The article is titled ‘La curtiduria en Huajaupan. Arte en el olvido’. Translated as ‘Tanning in Huajapan. A forgotten art’.

I have translated the article and published excerpts from it onto this blog. For the original version you can read it from each scanned page which I have also published.

Editorial

It is always sad to lose something, but it is more so when there isn’t the possibility to recover it. This is happening with the tanning industry in Huajuapan and the whole movement that it generated over several decades and now with each new generation is irretrievably dying. Today we are left with a handful of trades and one person who has not found someone to take advantage of his wisdom, knowledge and experience to learn a craft that we are proud of but appears to be confined to extinction, at least in our city. Don Miguel Osorio Bello, a Huajeuapeno a tanner and leather craftsman is the last link in a long chain that brought fame to our land where hides were crafted with such professionalism and esteem for the craft. It is known that people from other places come to Huajuapan still today, just for the sandals that are made here. But with some misfortune, much plastic and footwear industry, we have devalued our leather industry at the expense only of ourselves. Nothing is irreversible, except death, lets hope to still be in time for a rebirth of the trade that gave much to Huajuapan and for the sake of justice we should restore some attention, care and interest to this trade. The time is now, tomorrow may be too late.

The Curtiduria in Huajuapan, an Art which is being forgotten

In Cuauhtémoc Street even today, we see one after another, leather sandals stalls. These hand made pieces built an entire time period. White, sober and strong, sandals have become artisanal pieces, survivors of a lifestyle they remind of a time when tanneries were part of a Huajaupenan industry, an industry that seems to be reaching its final years.

Origins

The use of leather in Mexico has been dated back to ancient times, beyond the arrival of the Spaniards. The use of animal hides in ancient times was in direct relation to the provenance of the animals and the number of animals in existence, so that hides were intended for more limited purposes only reserved for the elites or military uniforms or for the elaboration of codices, these handmade by expert painters, who generally used materials such as tanned animal, native bark paper or paper. In the case of animal skin that could be for example; deer covered with a white primer to achieve a smooth surface. ( Nelly Gutierrez Solana. The Codices of Mexico. Ed Panorama, Mexico 1983, p.8.)

Daily use of animal hides in many cases varied depending on the local fauna and the existing tradition to process. Most commonly small animals like squirrels were used to make small pieces like bags, purses or to use as buffers for ceramics. The medium sized animals were used to make bags, belts etc.

In New Spain, Tomas tells Larraya “a few years after the discovery, leather began to be worked artistically by both by the conquerors as the natives of those lands. Both created character typical motifs and decorated as certain techniques, influenced by autochthonous manuals artwork, especially in leather tiles, which are also added other materials to which they are shown the typical mexicanos. (Tomas Larraya. Artistic Leather (Corioplastia). Meseguer, Barcelona, 1979, p.16-40.)

The Curtiduria in Huajuapan

In Cuauhtémoc Street even today, we see one after another, leather sandals stalls. These hand made pieces built an entire time period. White, sober and strong, sandals have become artisanal pieces, survivors of a lifestyle they remind of a time when tanneries were part of a Huajaupenan industry, an industry that seems to be reaching its final years.

Farming small livestock flourished both in the high and low Mixteca, as it required little labor and allowed the use of land made barren from the epidemics. The people could sell the meat in brine, the cheese, hides, tallow and wool. And of course in the years of poor harvests cattle were important as they were used to feed the people.

Between 1560 and 1580 the King of Spain made many Sierra Mercedes or concessions to raise small livestock to communities and indigenous chiefs. In the Mixteca region the number of grants received by the Indigenous outnumbered those of the Spaniards. Many Spaniards resident in the Mixteca region were individuals of modest means, they preferred to receive the grant and in most cases sell it in breach of the law.

Investing in the proceeds of commerce Spaniards would trade with the Indigenous groups, leaving with linen cloths for the altars and Castilla wine and bringing wool, fur and other regional products back to the city of Puebla. (Maria de los Angeles Romero Frizzi, Lecuras Historicas del Estado de Oaxaca, Vol II, Epoca Colonial.)

The Spaniards commented Mariano Espinoza, would reach the villages buying the products in advance and leaving Reals, wine, tools and other goods, and then returning to collect them at the time of wheat harvest, the slaughtering of livestock or when the scarlet silk thread was ready. (Mariano Espinosa, Apuntes Historicos, 1910, Hacia 1600.)

This activity continued throughout the colonial period, and although created as a means of livelihood when food was scarce, became the basis of commercial exchange and the development of local manufacturing, which was perfected through the centuries. To get an idea of the level that had been reached and skill in handling of hides in 1884, it was said that: “they are considered worthy of inclusion in an international “goat hides and skins competition” in The Mixtec region and other places in different states. (Comision Mexicana para La Exposicion Universal de Nueva Orleans, Mexico, Secretaria De Fomento, 1884, p.40.)

Huajuapan, Land of Tanners

In1903, one of the most numerous trades in the town was the tanner, it’s not hard to say that at least one lived in every street, extending this trade between parents and children and families. One cannot not imagine that this was coincidence, as the large presence of goats in our region generated, first slaughterhouses and then trade routes to Tehuacan and Puebla. The slaughter of goats is another industry specific to Huajuapan. Some of the hides from the livestock were sent abroad where they were well accepted and another important part was left for various local industries, one of which is the manufacture of Huaraches. This was carried out as a domestic industry that required only a small investment, in which all family members, especially including children worked in this activity, with most of the work done by hand and utilizing most of the leather.

At on time Mexico was a major exporter of leather. It was not until 1936 when the industry began to decline. The most widespread explanation for this decrease in quality is that many of the lands that in the past produced high-quality leather were divided.

Create and Sell

Both Miguel Osorio a leather craftsman and Florencio Lujan a merchant, are part of a process that begins in the tannery and concludes in the market. Today the process continues but at a much slower pace. Don Miguel is the only manufacturer of Huaraches in the city “No one followed in my footsteps, not even my children, all chose to do something else. I’m the only one who makes huaraches for Mixtec ‘Jarabe’ (a popular dance), here there is no one making them. It was not my favorite job but I really liked tanning. Its not to sound famous, but those at the market can tell you who makes the best Huaraches,” concludes proudly Don Miguel. Don Florencio agrees that the sale of Huaraches has fallen greatly in recent times: “They continue to sell although very little, but I think it will not cease because there are people that I still keep using them. Once I would buy 500, 600 pairs on a Saturday and the following Saturday and had nothing left. They sold a lot, now there is more money and people say they don’t need them for the mountain and that they get injured wearing them. What happens? For 20 pesos more, prefer to buy sneakers.

Huaraches, an export product?

Around the nineteen forties when leather reached peak production, “Besides being export items, Huaraches and sandals whose top is made of leather strips, braided or woven, are the most commonly used types of footwear used among the poor in the countryside and represent the first step in the transition towards the use of shoes. In many respects, Huaraches are healthier than the closed shoes, especially in certain weather conditions that occur in Mexico. ” (Armour Research Foundation, Op Cit, p.39)

Leather in Our Times

With the massive introduction of plastic products in the shoe industry, the importation of hides of all kinds and the introduction of chemical dyes, tanning in Huajuapan ceased to be a profitable business. The desire to revive this activity was resumed again in 1980 by Mayor Luis Guevara Camacho, who intended to revive the industry, developing a broad and practical education program for leather workers, the latest leather working techniques and process control.

Leather and all the manufacturing that this material requires have a legendary tradition in the Mixtec region: unfortunately in recent times it has tended to disappear. Hopefully, the nickname of “Land of Tanners’ as the entire region was known some time ago will continue to honor the craft and the skill that of the Mixtec people and that their ability to transform common objects into magnificent works will be complemented by programs, support, education and jobs. This tradition exists and we should not be satisfied for it to merely survive, but we should want it to grow as a new flowering.


Huaraches on the Universidad Veracruzana Web Page.

The Universidad Veracruzana has an interesting Popular Culture Web Page which includes some Huaraches and Caites pre-hispanic footwear designs from more recent times. Click on the link below:-

The Universidad Veracruzana Huaraches and Cacles web page.

Here are 2 interesting Huarache photos from that web page.

Some Huaraches and some Caites.


Shoes Or No Shoes Museum.

The Shoe Or No Shoes Museum in Belgium is an incredible footwear resource and best of all most of its collection is available for viewing on the internet. The Museum also sells an incredible book!

On my last blog post I published the links to the Mexican Footwear section of the Shoes Or No Shoes Museum website. Below is a sample of some of the footwear from the same website, a few images of some of the Huarache type footwear from around the world to introduce you to the Shoes Or No Shoes Museum.

Some Huaraches from Mexico, the ones on the right are from Sonora.

Some woven wicker shoes from China.

Some really similar woven shoes from Slovakia and Birch bark shoes from Finland.

Some huarache type shoes from Guatemala.

Some huarache type sandals from India and Algeria.

Form more information on the Shoes Or No Shoes Museum and collection click on the links on my previous post or visit the main link at the bottom of the page.


The missing links.

So how did Huaraches evolve? And what about all the pre-hispanic footwear we see illustrated in museums, how are huaraches related to those decorated sandals with the heel pieces?

Why are there no physical examples of the pre-hispanic footwear with the heel piece in any Mexican museum? After all we know that Moctezuma II the Aztec Emperor had a ceremonial pair with a sole of gold, that wouldn’t have decomposed, so where is it?

I believe that the Spanish conquistadors did an effective job at eliminating all symbols of Aztec hierarchy and authority, this included the footwear that had different symbolic designs on the heel to represent the status, rank and profession of the wearer. For example warriors would often have the heel made from leopard skin. The Pata de Gallo, was the sandal of the peasants and workforce and as it lacked any symbolism was spared.

So how did we get from the Pata de Gallo

to the Pachuco?

I think this is one of the missing links.

I found this old photo in a book of Huichol culture at Tepic city library and replicated the design as best as I could with my Pata de Gallo huaraches.

The Pata de Gallo as I explained in my earlier post is made using a long strip of leather. The strip is knotted and passed through a hole between big toe and second toe. Over time this knot which is always in direct contact with the ground will wear down and break, so a new knot is tied and every time this happens. Consequently the strip of leather shortens by an inch or two every so often. To accommodate such a long strip of leather, it is wrapped many times around the leg. I think that at some point someone decided to weave the leather strip into a new design instead of wrapping it.

Thats when I believe at least one tradition of weaving huaraches began.


Back to the roots of Huarache making – The Pata de Gallo Huarache

The Pata de Gallo was just one of many Huaraches still missing from my study and arguably the most important one. Because the Pata de Gallo is the original Huarache, the original style that arguably all other Huaraches developed from.

What’s more because of its simplicity its very hard to find for sale because people make their own. This for me is a very interesting because it shows that footwear can also be home made..rather like cooking.

So with the help of Pancho my Huichol friend, thats what I did last Saturday morning…cooked up a “Pata de Gallo” huarache.

I cut up a car tyre, I was told to lubricate the blade with water or saliva to make the cutting easier, basically so that the rubber does not grip to the blade as you cut.

I chose a minimal rectangle design that I had seen on a Huichol woman a few days ago.

3  holes are burnt through each huarache with a hot iron. The holes are usually burnt, not only because power tools, or drills is not typically owned, but also because if you drill the hole it usually closes up again as soon as you remove the drill.

Then the strip of leather is knotted on one end and passed through the hole between big toe and the second toe. When the knot that is on the underside of the sole wears down over time, a new knot is tied and the process repeats itself until the strip of leather becomes too short to wrap around the leg and the strip is then replaced with a new one.

 

Below is a photo of Pancho and I with my finished huaraches.

And that’s Pancho’s mother who had just been weaving, during the time we made the Huaraches.

For information on the Puebla variant of the” Pata de Gallo” check out my other post HERE


Fresnillo.

There is one Huaracheria at the Mercado Hidalgo selling a good selection of styles from around Fresnillo. Most styles are already covered in this blog.

These huaraches from Aguascalientes.

These from Valparaiso.


New Huaraches.

I found these Huaraches in Sahuayo; car tyre sole, motor oil dyed leather, thick, sturdy and richly decorated with rivets.

To replace my old huaraches, the same ones I made 4 months ago?


Huaraches in Colotlan, Jalisco.

Leaving Huejuquilla I stopped in Colotlan a town famous for it’s leather crafts. There I found these ‘Piteado’ sandals. ‘Piteado’ is a Pita or Ixtle fibre embroidery traditionally done on leather and very most commonly on traditional belts and riding saddles.

A Huarachero was nailing down Huaraches to old car tyres.

After the sole is nailed the rough shape is trimmed with a sharp blade. No glue is used to attach the outsole to the Huarache, only nails.

As with all Huaraches, these are also made from a single ‘Correa’ strip of leather that is woven through ‘Portillos’ holes in the topsole.